Fathers and daughters -- Fiction; Social classes -- England -- Fiction
"Called her Judith. Cat heard her, same as me."
"Probably you ought to say 'same as I,' young man. But it may be an
open question." Challis paused, half-minded to request his promising
son and heir to keep his confidences in reserve. But the evil genius
of himself or Marianne stepped in, and caused Catharine, the little
girl, who was still under seven, to sing with her mouth shut as she
hung over the bannisters in the passage outside. Master Bob immediately
left off pulling his father's hair and rushed to the door, shouting
loud enough for the Universe to hear, "Didn't she, Cat?" and ended a
perfectly orthodox interview for the collection of evidence by lugging
the witness in, nearly upside down, to testify.
"Put your sister down, you young ruffian--do you hear?" And Challis
adds under his breath: "Much good your school's doing you!" But the
young persons explain simultaneously, "That's how we do," not without
pride in an ancient usage.
Now, this little provincialism, or scrap of folklore, had its share
in moulding events. For consider!--if a Sabine woman, after Rubens,
had been put down right-end-up, anxious to make a statement, who could
have refused to listen to her? Challis, who would not have objected
to hearing no more of what Aunt Lotty said, felt bound to take the
readjusted maiden on his knee--she wasn't Sabine, and he could--and
get at the upshot of her disjointed testimony. Master Bob, following
ascertained usage, dictated or suggested her evidence; and nipped
anticipated statement in the bud, at his convenience. Between the two
of them, however, it was clear-enough what sort of talk had gone on
between their mother and Aunt Lotty.
"After all," said the vexed man to himself, after packing off his young
informants to presumable mischief elsewhere--"after all, what can it
matter if Marianne _did_ say in a moment of irritation that I might go
away to ..." he paused on the next two words, and finished without
them abruptly "... altogether if I liked?" Then he tormented himself a
little about his own shrinking from uttering the words "my Judith," and
ended by saying them in a cowardly way, under his breath, to show his
independence.
He was sitting in his library at the time, opposite to a half-written
sheet of foolscap. It was copy, waiting for more copy, which came not.
Challis denied his self-accusation that this was owing to the way that
fool of a woman's words had upset him--meaning Charlotte Eldridge;
he absolved his wife. Had he not often to wait for an idea, to get a
start with? Let him see, where was he? Oh yes!--where Estrild tears
off her jewels and flings them at the Ostrogoths. Judith Arkroyd would
be simply magnificent there! For this was the great tragedy he had
promised Judith he would try his hand on expressly for her. How that
incomparable arm and hand would tell, with Estrild's blood visible on
it, torn by the bracelet her vehemence had plucked off!...
Public-domain text, read in full here on John Shaqi.
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