Fathers and daughters -- Fiction; Social classes -- England -- Fiction
Mr. Elphinstone, responsible for No. 101, Grosvenor Square, and
the morals and dignity of the family that dwelt in it, was not
without uneasiness about the literary and artistic circles that
his two young ladies had elected to move in. This description is
superficial; it judges from externals. Say that Mr. Elphinstone's
appearance conveyed that he, like Atlas, had the whole house on his
shoulders--was practically answerable for the honourable repute of
all his subordinates, and morally for that of his superiors. That was
the construction Alfred Challis felt obliged to put on such flawless
shaving; such a weighty deference to the slightest personalities--his
own, for instance--on production of adequate credentials; such a
hypnotic suggestion of having foregone an episcopate elsewhere to take
service with a beloved family whose interests he had at heart. It was
a construction not free from the derision Mr. Challis was in the habit
of meting out to dignitaries of all sorts. In this case he may not
have been free from personal feeling; for he must have been aware that
Elphinstone regarded him as an interloper--one who outraged the sacred
traditions of the household, calling at unearthly hours in a soft felt
hat, and smoking on the doorstep until compelled to throw away too much
cigar by hearing that the family was at home.
This is substantially what was happening about two hours after Mr.
Eldridge had declined to shed any light on anything at all, and his
wife had departed enjoining silence about Heaven-knows-what. Challis,
_désoeuvré_ by the mystification, had found himself unable to invent
any single thing a Scythian mercenary would have been likely to say in
English blank verse, and an approach towards Marianne of a conciliatory
sort was met by, "I must see Steptoe now about the dinner."
Unfortunately, this speech was absolutely passionless; if it had only
been tempersome, there might have been a row. And a row--as the Press
delights to phrase it--might have spelt salvation. But Challis could
see in it nothing that justified more than a languid "All right!" on
his part. And he had departed to the banks of the Danube again, with no
better success than before.
Presently his wife knocked at his door in an excluded, ostracised sort
of way, and he got up to open it. She was dressed for going out. "I
won't disturb you," she said. "Don't come out. I only wanted to say
that if the man comes about the gas you had better see him, because he
won't believe Steptoe, and the meter is certainly out of order. That's
all."
It was one of those queer little turning-points of existence. Challis
was not ready with any reply that would have caused a moment's delay
and saved the situation. Before he could manage more than general
assent, Marianne was gone, too far for anything short of demonstrative
recall. He did not see his way to this, and the chance was lost.
Public-domain text, read in full here on John Shaqi.
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