Fathers and daughters -- Fiction; Social classes -- England -- Fiction
Our own impression is that at this present date of writing, when
Challis, smelling rather strongly of tobacco, is following the little
ex-dairymaid up the second flight of stairs to what is known as the
young ladies' sitting-room--at this very moment, with the cabman
making the most of his inherited Havana, and Judith forming to receive
visitors, the position would have been much less likely to supply copy
for Mrs. Eldridge than the previous one, but for one thing. Challis's
relations with Marianne were, at the moment--say--of the parroquets,
intact. What were they now?...
They were _something_, or Challis's last unspoken speech to himself on
the stairs would not have been, "At any rate, it isn't my fault!" It
needed the atmosphere of Judith--amused, if irritated, at her absurdity
in getting a sprained ankle--to enable him to shake free--though always
under protest--of the Hermitage.
"Wasn't it ridiculous of me!... No!--don't sit there; I can't see
you.... Wasn't it ridiculous of me to do this--just now of all times in
the year?"
"I thought you were a passive agent. I mean I didn't know that you
_did_ do anything."
"No more I did! No more than one does. You know what I mean?"
"Couldn't be better expressed! Like when one chokes and thinks one
could have helped it, and what a fool one is! But how did it happen?"
"Perfectly simple! I was getting down out of the carriage, and forgot
to think about my feet. Fenton Arkroyd was passing, and if he's not
taken notice of he's sensitive, because he married a laundress, or
something. So I forgot to think about my feet. It might have been so
easily avoided--with a little common-sense."
"So might so many things." Challis isn't the least clear how the
common-sense would act in the cases he is talking at--the plagues
that beset his own path. But what a capital thing to say!--on general
grounds, of course, with a little esoteric meaning all to oneself.
Judith, perhaps, thinks it too early in the morning for ethics, as
she changes the conversation. "How did you like my little maid?" she
says, keeping her eyes closed; which seems absurd after stipulating for
visibility on Challis's part. But it all belongs to a certain imperious
humour in the grain of her character. And rights of translation are
reserved. She can open them if she pleases.
"She's new, isn't she? Jolly little party!" Thus Challis.
"You're not warm enough! Didn't you want to kiss her?"
"Yes, badly--when she gave your message--half-way up...."
Judith opened her eyes. You can't laugh with your eyes shut; you
snigger. "She really gave it? Do tell me exactly! What did she say?"
she asks delightedly, keeping her eyes open to hear the answer.
"She turned round on the landing, and became for the moment a mere mass
of blooming conscience...."
"Is that--excuse me!--to be taken as _language_, or how?"
Public-domain text, read in full here on John Shaqi.
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