The genial wooden smile, as of the visited, on the faces of Marianne and her husband died abruptly as its cause became a distant shout. It gave place to a mere puzzled look on his, provoked, no doubt, by the expression of cold fatigue on hers and her silence. So far as he could recollect there was nothing to account for this--at least, at the date of their last parting. The interview about the gas-man was unleavened with tenderness, certainly, but then it was the merest household colloquy. But, to be sure, there had been Tulse Hill since then! That was it!--it was that horrid old woman! So it was just as well to say nothing. Challis said it, and went to get ready for dinner. "Getting ready" amounted to little more than washing his face and hands. It could not interfere with mental schemes for approaching and conciliating his wife. He really wanted to do so, for he knew in his inmost heart that he had more than once this day turned angrily against suppositions that _would_ present themselves--hypothetical readjustments of his life, always with Judith Arkroyd sooner or later working into them through a mist of the honour in which he held Marianne. Suppose--oh, suppose!--all his life had been different! Suppose he had known her in her girlhood, this Judith! He had let the image he had formed of the self he would have been, had all been otherwise--just for one moment he had let it hunger for the hand, the lips, the eyes of this hypothetical girlhood. It seemed so slight a wrong to grant himself that luxury, when by hypothesis he was then never to have seen or spoken to either of his wives of the time to come. But the moment he had recognized the nature of this supposition he had flung it from him, as he had others of a like sort. Just so the watcher, sworn not to sleep, believes himself awake even as the spell seizes him; then strikes hard to slay the coming dream, and is awake again. Alfred Challis had been secretly guilty of this particular dream, was angry with himself for it, and was scheming now to lay some stress on his affection for his living wife. He knew enough from long experience of Tulse Hill to ascribe to it powers of producing an even greater severity of deportment than Marianne's at this moment. He judged it best "not to be too previous," and went from his own dressing-room straight to the drawing-room. That would make the best job. He felt obliged to John Eldridge for this expression of his. Marianne followed in due course, and appeared in conflict with a preoccupying wrist-button. His proposed arrangement was to say, "Well, Polly Anne, now let's near all about it!" And she spoiled it with, "Stop one moment. I must get Harmood to do this for me." A new departure became necessary. But it would not be half so _dégagé_. A certain amount of spontaneity would have to be surrendered. Try again! "Got it right now?" Yes--that was best!--not to go outside current event.