Fathers and daughters -- Fiction; Social classes -- England -- Fiction
"I don't know. I don't pretend to understand these sort of people. I
suppose it's all right, either way." And this lady then withdrew from
the conversation, leaving her husband half-nettled and half-apologetic,
but quite unable to lay hold of any excuse for expressing either
irritation or apology. Especially the latter, because why should he
think confessions or apologies necessary?
Perhaps nothing could throw more light on the way the heads of this
household quarrelled--for domestic bliss has many forms--than the
internal comment made by its eldest son when he returned by contract
at half-past ten from supping with his friend Tommy Eldridge. What
Master Bob said to himself, after a short wait for sounds of human
voices, was: "_Row_ on, I expect. Pater and mater not talking!" He put
his head in at the drawing-room door and made a statement. "I say. I'm
not late." His father, who understood Master Bob down to the ground,
attached the right meaning to "What are you?" which followed. He looked
at his watch. "Ten-thirty-three," said he. "Three minutes late! Now go
to bed, and leave the phonograph alone till to-morrow."
"What!--not only just one, in the breakfast-room, with the door shut?"
But even so conditioned, it is too late for phonographs, and Bob goes
to his couch a sadder boy but as great a goose as ever. Before doing
so, he has to give securities that he will not pound about overhead and
wake his sisters; and to note that his pater is reading and sorting
letters, and his mater has settled down to a book.
You know what that means, especially when the book is bicolumnar,
microtypical, and there's such a lot to read before it gets to where
everyone says it's so improper. You read the first brisk spirt, till
you get to the point at which the author's inventive power has flagged,
and then you become strangely content to repose underneath that work,
with your eyes closed and your hands peacefully folded over your
foreground. But Bob was wrong. His mater had not settled down to her
book in the true sense of the words, and Challis knew it by the speed
at which the leaves turned. Marianne couldn't read at that rate, even
without stopping to think of the meaning. And you must, sometimes.
Besides, Challis had glanced at that book himself, and knew his wife
would never understand local Americanisms and Indian dialects in
Kamschatka. It was an interesting book, though, and Challis remembered
how the first chapter began: "Midnight in Nootka Sound, and the blood
still dripped monotonously from the shelf above, etc." He was just
thinking could he safely venture on asking the reader why this first
chapter was called "Hello!" when she put the book aside, and said
briefly: "I'm going to bed." She had not spoken a word since Bob's
incursion.
Public-domain text, read in full here on John Shaqi.
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