Fathers and daughters -- Fiction; Social classes -- England -- Fiction
The Mistake's son was the unfortunate means of causing the next day to
begin badly. For he rose early, and hastened to the plague-centre at
Putney whence Records flowed, to acquire in exchange for the condemned
piece of mere music either "The White-Eyed Musical Kaffir" or something
equally juicy. Naturally, he found the shop not open, at an hour when
sparse milk and eggs were the only things procurable. "Won't open till
ten," was the current opinion. Bob, disgusted, called on his friend
Tommy Eldridge, and found sympathy and consolation. Tommy had had the
"Musical Kaffir" for two days past, and the Kaffir had palled. He
would swop him for the "mere music" record and twopence. Bob closed
with the offer, but the bargain had taken time; and, as a consequence,
he burst in upon breakfast at half-past eight o'clock, and announced
his acquisition with an evident conviction that his hearers had been
awaiting his return with suspended breaths. His step-mother--or aunt;
either will do--confiscated his treasure promptly, and denounced
Science within the home-circle. Lectures, she said truly, were one
thing; houses another. Bob cited the indulgences shown to other
fellows by their parents in respect of phonographs, and Cat said that
Tommy Eldridge always had his till tea-time. Her mother told her not
to speak with her mouth full, and met Master Bob's half-inaudible "I
shall ask the Governor, anyhow!" with so harsh an enquiry, "What's that
you're saying, sir? Don't mumble to yourself!" that Bob evacuated his
position, and awaited reinforcements.
Marianne was making the common mistake of easing ill-temper by
attacking objects blameless of provoking it--blowing off steam through
wrong channels. At another time she would have been too lazy to open
a campaign against a phonograph. Now she found it a relief to pitch
in--Bob's phrase--and enlarged her scheme of operations. "If it wasn't
for your father," she said, "you would all be breakfasting upstairs."
Bob, who was afraid of her because she had boxed his ears for him
before now--and not so very long ago--only muttered a _sotto-voce_
"I'm a Rugby boy now, and that would be grandmother," expressing in
his simple, limited way his sense of acquired status, and the folly of
ignoring it. Marianne, who was not really the least angry with Bob, and
certainly didn't care twopence about the "Musical Kaffir," saw in this
suppressed defiance an outlet for her own high-pressure atmosphere,
and jumped at its inaudibility as though it were the head and front
of its offending. What was it he was mumbling?--she said again, with
growing anger. He wouldn't mumble if his father was here. Bob denied
this audibly, probably meaning that he had said nothing he would have
scrupled to say to his father. He felt indignant and injured; having,
indeed, meant no wrong, though his preoccupation about the glorious
phonograph had no doubt made his speech appear careless.
Public-domain text, read in full here on John Shaqi.
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