Fathers and daughters -- Fiction; Social classes -- England -- Fiction
The roaring slowed down, and was gradually merged in
bread-and-marmalade. An intermediate period of sobs and bites,
overlapping, was filled out with public discomfort--an embarrassed
silence in which Challis's visible vexation was unfairly taken
advantage of by Marianne, to say, "You can't wonder at the child, when
you're so violent." Challis closed his lips lest he should speak;
but it came home to him, in some mysterious way, that he was in the
wrong. Men are; or if they are not, it comes to the same thing. For
a firm conviction in the mind of a woman with a strong will and a
proper spirit has all the force of fact. But Challis's acquiescence
in his guilt was accompanied by a growing resolution to take Bob to
the play, _coûte que coûte_, before he went back to school on Monday.
He had no misgivings about the boy's breakfast. He knew Harmood might
be relied on, as Bob was a favourite in that quarter. Probably a
compensation-breakfast was in store for Bob, later.
It was a bad moment for dealing with a female correspondent who is
"always sincerely yours." Had Challis been confident that an unopened
letter on the table was from one who was only "his faithfully"--though,
indeed, Rebekah could not have been much more to Isaac--or even "his
truly," he might have opened it confidently and made some excuse to
throw it carelessly along the table to his wife while he went on to his
last consignment of press-clippings. Or he might have done so equally,
however "sincerely his" Judith Arkroyd's signature said she was, if
only this stupid needless row had not been bred by Mrs. Challis's
Short Temper out of Bob's Phonograph. But then, in addition to the
sincerity with which Judith surrendered herself for ever, Challis knew
the letter would contain a repeat of her invitation of the day before
to his wife--probably to accompany him to Royd at Whitsuntide. So
he postponed opening all his letters, and made the fatal mistake of
hustling them together as though he valued them all alike. Marianne
knew better. Had she not seen him pause half a second over that
characteristic, unmistakable hand--a strong bold upright script that
seemed to speak its contempt in every line for the scratchy Italicisms
of its writer's ancestors? How was she to interpret its being packed
away out of her sight in this way? However, she wished the jury in the
court of her inner conscience to understand distinctly that she did not
care one straw what Titus did or did not do in respect of Grosvenor
Square--but within well-defined lines. For, apart from the degree to
which she relied on the social safeguards of that Square's aristocratic
pride, she had about her husband the feeling many students of nature
ascribe to married folk who are not ripening for divorce--the feeling
Geraint had about Enid, according to Tennyson. Marianne, for all her
tempersomeness and jealousy, loved and reverenced Challis too much
to dream he could be guilty of anything that would supply copy for a
modern novel.
Public-domain text, read in full here on John Shaqi.
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