Fathers and daughters -- Fiction; Social classes -- England -- Fiction
Some three days later it happened that this household decided on a
sort of picnic known to it as "half-a-mile-off tea." A houseful of
able-bodied servants made this festivity, which was exactly what its
name implies, easily possible. All the most critical tea-drinker
could want had gone before, and the house-party, or most of it, was
straggling across the parkland to Fern Hollow, the place appointed.
Challis and Judith were accidentally last.
A chance left him the only hearer of a voice dropped languidly for the
benefit of his ears alone. "Let these noisy people go on in front,
Scroop," said its owner to him; and then, in reply to his amused look
at hearing himself so addressed, "I knew I should do it in the end,
because of the newspaper reviews. Do you mind my calling you Scroop now
and then, by accident?"
"Nothing can please me better," said he. "Biggest compliment you can
pay me!" It started the soul-brush afresh, and he had to settle whether
it was to be submission or protest. He fancied he could manage the
latter even though he acknowledged the voice, that continued, "Suppose
we go by Trout Bend! It's nonsense hurrying. The tea can wait. Or
we can have fresh made." This was concession, both in the proposed
_tête-à-tête_, and something in the familiarity of treatment, which
seemed to savour more of the Hermitage than Grosvenor Square. But it
was only the simple vocabulary common to all tea-worlds; they are above
class distinctions.
"Suppose we do," said Challis. And they did.
Trout Bend is a small incident in Geography. But it has a quality in
common with--for instance--the Arctic Circle. It is always the same.
Its lower segment has the same merry ripple over the same stones, and
its upper one spreads to the same pools, that foster here and there
each year the very selfsame bulrushes, to all appearance. And in the
middle of the best one--the one, that is, that lends itself best to
self-deception on the part of the fisherman--the fish that leaped last
year, when you were looking at it and wondering how deep it was in
the middle, does it again, and doesn't bore you. Because if he did,
you wouldn't watch for him a third time. Only then he _doesn't_ do it
again, and that does bore you. And where the pools end and the ripples
begin are the same infatuated stepping-stones, that think they can bear
your weight, and can't. And then you become spell-bound on them as they
wobble, and are rescued by extended walking-sticks from either side,
and get across quite dry, or only a very little water in one shoe.
Public-domain text, read in full here on John Shaqi.
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