Fathers and daughters -- Fiction; Social classes -- England -- Fiction
The face that he spoke to was none the less beautiful that its owner
was frightened at his vehemence. It continued to be--to this fool of
a man who had not the courage to run away from it, but who was not at
liberty to love it--the face of six months ago that had been growing
on him ever since. He would almost have been thankful--though he
would not confess it to himself--for visible flaws in it; a squint, a
twist, an artificial tooth or two betraying their extraction, or their
predecessors'. A wig would have spelt salvation, as the Press puts it.
As for Judith, she was perfectly alive, by now, to the sub-intents of
meaning woven into Challis's speech, for the easement of a feeling
he could neither tell nor conceal. "Let us forget it all!" was so
overtense in emphasis, if referring only to a disappointment about
a part in a play, that it scarcely left room for an equable society
response. Her tone of voice had to keep at bay any hint of a meaning
that might have betrayed both into a recognition of the precipice they
were so close to. As might have been expected, she lost her presence
of mind, and overdid it. "I can't see any occasion for hysterics about
it," said she. "Of course, I am awfully sorry, and all that sort of
thing. But we live in a world, after all! And I suppose one must
sometimes accommodate one's views to the necessities of Society....
Oh dear!--these people are quite close." She referred to their near
approach to the assembled tea-drinkers, some of whom, at peace with
all mankind under its influence, were scattering abroad through the
neighbouring woods and dingles, discussing religious education and the
fighting power of nations, pigeon-shooting, and Psychical Research.
"We came away from the tree too soon," Challis said. "Can't we turn?..."
"Suppose we do. We can go round the coppice.... What was I saying?
Oh--about Society! Don't you think it is so? One has to reckon with
one's Social Duties. So I'm told."
"We could have thought of Society before," Challis said, rather
sullenly. And then he felt brutal. "No, Judith Arkroyd, I won't say
that. Forgive me! All I mean is--it was all just as true--what you say
about Society--six months ago as it is now. The mistake was then."
A small thing in his speech unnerved Judith--the way he used her
full name. This was the second time he had done so. It seemed to
imply some new aspect of their relation--the throwing aside of some
veil--the recognition of some discarded formality. She was no longer
"Miss Arkroyd"; and "Judith" would have been either patronage or
impertinence. In her case there was no professional name to build a
half-way house to familiarity on.
She dropped her worldly tone as misplaced or useless, as she said:
"I had at one time half thought I would leave you to finish the play
before I cried off. But should I have done you any service? I thought
not, in the end, and I wished to get it over."
Public-domain text, read in full here on John Shaqi.
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