Fathers and daughters -- Fiction; Social classes -- England -- Fiction
Marianne may have known she looked white, and wished for darkness to
hide it, for she blew both candles out, and returned to her seat with
her back to the window. The cat sighed, as lamenting the selfishness
of mortals, and resumed her old place, now again available, with a
pretence of magnanimity.
"I shall copy that letter on a clean sheet, and send it." The darkness
seemed to give the speaker fortitude.
"Go your own way, dear! I've done my best." Mrs. Eldridge claimed
freedom from responsibility.
"You know, I suppose, that I spoke to mamma about that Steptoe
nonsense--the photograph?"
"No, I didn't. What did she say?"
"Said it was all sheer impossibility. Said Steptoe had been turning the
cupboards over when we were away at Easter, and cooked it all up."
"That won't do us any good. How did Steptoe know the name of the
coal-merchant?"
"Saw it on the back of the photo, mamma says."
"And how did she know the name Verrall?"
"Because it's Bob's second name. Besides, it's on a brass plate on
Kate's old portmanteau in the trunk-room."
"I can't say I think that accounts for anything." Mrs. Eldridge pointed
out two or three weak points in Mrs. Craik's explanation, and condemned
it as worthless. She was wrong. The explanation was a good one _per
se_, but, like so many explanations, taxed human powers of belief more
than the thing it explained. However, no one who has the faculty of
selecting his creeds ever stickles about the trouble one will give him.
He only thinks of the advantages it will bring with it.
"Perhaps it doesn't explain. That's what mamma said, anyhow."
Thus Marianne, as if it didn't matter much, either way. Then, more
convincedly: "I don't believe Steptoe is lying, because I can't see
what she has to gain by it. Besides, I pulled the photo out of the
_passe-partout_, and it was gummed in, and the name on the back."
"Did you say so to your mother?"
"Yes, and she said I must have been mistaken, because, if not, the
story would have been true."
"I can't see"--Mrs. Eldridge is talking reflectively,
introspectively--"I cannot see _why_ your husband did not tell you all
about it! Suppose your sister _was_ married to this man first, I don't
see that it was any such hanging matter. Unless...."
"Unless what?"
"Well!--nothing, dear. That is, perhaps I oughtn't to say...."
"Charlotte!--that's you all over! You know you're wanting to say all
the time. _Do speak out and have done with it!_" Marianne got up
uneasily, and walked from place to place in the room. The cat went back
to the sofa cushion, and resumed her task of getting a little sleep.
Charlotte means to say, in time. Trust her! "You know, dear Marianne,
that all this is the _merest_ speculation. We really know _nothing_!
And ten to one, when you do speak of it to Titus, he'll be able to
clear it all up. Besides, after all, it could only be the sort of thing
that's always happening, and one says nothing about it as long as the
parties get married afterwards...."
Public-domain text, read in full here on John Shaqi.
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