Fathers and daughters -- Fiction; Social classes -- England -- Fiction
"If you are going to take that tone, Ju," she replies, "I think we
had better talk no more about it. And how little copper pots can
have anything fast or disreputable about them I don't know. But pray
disgrace your family, if you can get anyone to help you--Mr. Scoop,
or Challis, or anyone." Then this young lady did not play fair, for
she said or as good as said that if her sister was as tired and sleepy
as she herself was, she wouldn't stand there talking, but would go to
bed. But even this was not so bad as adding: "And what all this has to
do with Mr. Scoop's Deceased Wife's Sister I can't imagine!" The dry
tone in which Judith said, "Nor I, dear!" may have conveyed her views
about her sister's powers of Logic, without more enlargement--at least,
she indulged in none and went away to her own bedroom rather despising
herself for feeling exasperated, but knowing that she was so by the
satisfaction she got from an increased indifference to what her family
thought about the theatrical profession. Her stage-mania was getting
the bit in its teeth. But she could find it in her heart to laugh
at Sibyl for trying to support her own fads on the moral repute of
little copper pots. Why, so far as that went, the little pots might be
anchorites in deserts for any power they had of blemishing it.
As for "Mr. Scroop's Deceased Wife's Sister," _that_, she knew, was
nonsense, because he had told her the name of his first wife. Or,
stop a minute!--might she not have been a half-sister? Judith guessed
shrewdly. But then--it occurred to her presently--would that count? She
thought of this after she was in bed, and was half inclined to get up,
and look up the point in her prayer-book.
* * * * *
Public-domain text, read in full here on John Shaqi.
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