And then just as I had reached this high peek of enthusiastic pleasure
in the rewarding power of good deeds--especially good deeds that cost
only a small portion of a handsome income--just at this point in my
reflections I heard a slow footstep making laggard response to my
ringing, and at once my heart sank into my walkrite shoes--for I would
not have dared appear in French heels--and my hands trembled in their
silk gloves. Was it Euphemia herself coming to admit the wanderer? Had
she grown so feeble in six and one half years that her step was slow and
halting? I feared to look as the door slowly opened. Yet look I must and
did.
It was an enormous colored woman.
"Yass, Ise coming," she was beginning, when suddenly she recognized me,
and her broad face lighted in a grin which extended from ear to ear.
"Lordy, if it ain't Miss Free!" she cried. "Ain't changed nothin'
a-tall! My lawsy--where you-all come from, Miss Free?"
"I'm just from the train," I replied, stepping gingerly into the hall.
"Surely you are not Galadia?"
"I sho' am!" she said. "You didn' spek I wuz gwine be a pickaninny no
mo', did you, Miss Free?"
Of course this was exactly what I had expected--a
pickaninny,--fourteen-year-old Galadia, short dress, long apron and all.
Indeed not to find her so was a distinct shock.
"I'm afraid I did," I admitted truthfully.
"Well, bless yo' heart, Ise got fo' pickaninnies of ma own!" she
exclaimed amazingly. "Three triplets and one single!"
"Galadia!" I exclaimed. "And you are still working here. Why didn't you
write me you had married!"
"Well, dat no-count nigger what Ah married wiv--he spen' so much time in
de jail Ah reckoned Ah couldn't afford to lose all dem handsome single
wages you done been sendin' me."
"I see!" I replied. "And now tell me--is my sister at home?"
"Ain't home yet!" she said. "Reckon you didn't tell her you was comin'?
No! Well, jes' yo' set in de parlor an I fotch you a nice cup tea!"
Despite my protest the good soul hustled off to attend to my imaginary
wants, and I stood looking about me dazedly. The change in the interior
of the house was even greater than the external alterations, and not
nearly so pleasing.
The quaint old wallpapers were gone, and in their place were cartridge
papers--new and drab. This was bad enough, but when I caught sight of
mission furniture in gray oak, and a player-piano encumbering our
erstwhile rosewood drawing-room, my blood turned cold with horror. It
was all new, all expensive, frightfully snappy, if I may borrow the
term, and too, too perfectly dreadful! If this had been done to my
mother's parlor what had become of the rest of the house? I trembled to
think! But before I had opportunity to explore further the noise of a
high-powered car stopping at the curb outside the door distracted my
attention.
Public-domain text, read in full here on John Shaqi.
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