Mr. Markheim also credited himself with a successful trip, though from a
wholly different cause. It appeared that he had at length contrived to
install in his house a picture which he had long coveted, and this
picture was none other than the Madonna of the Lamp, for which he had
paid five hundred thousand dollars. Since his purchase of it the picture
had been stored, and it seemed to me a strange time to trouble with
getting it out. But Sebastian Markheim, with the fervor of the true
collector and the madness which seems the hall-mark of his kind, was
apparently oblivious of this circumstance and became wrapt in his
description of it.
"You must have seen it in Vienna," he said. "Good heavens, don't say you
have seen photographs of it! You cannot imagine the beauty of the thing
itself. I have given directions for the remodeling of the south wall of
my library in the Ossining house for its occupancy. It will hang all
alone on that wall--it's only a small picture, you know, so I have had
Hasbrock, the architect, design some panels to encircle it I hope it is
going to please you, Alicia."
"What?" said Mr. Pegg twirling round suddenly from the bowl of ripe
olives with which he was occupied. "What's that? Why should Alicia be
pleased?"
"She's going to live there with it!" said Markheim. "She promised this
afternoon!"
"Oh, no!" I said getting to my feet. But nobody seemed to hear me.
"Yes, father," said Alicia. Then Pinto's face broke into a sort of
crooked smile and he held out his hands to both of them.
"Well, I'll be damned!" he said. "Think of my Peaches picking out a
friend of her father's! Why, Markheim, you must be somewhere near my own
age!"
"Why, pa, how rude!" said Alicia. "Aren't you going to kiss me? And you
too, Free! Stop standing there like a dummy! People get married all the
time--there's nothing unusual about it, you poor nuts! Come on,
congratulate us!"
Well, of course, I recovered myself as best I could, and pecked her on
the cheek. But I didn't feel my congratulations--I simply couldn't feel
them. To marry that old man. And a foreigner! And a German Swiss! And
everything! It was too dreadful! Nothing could make me feel that she was
doing it for any reason except pity and because he had nagged her into
it with his ceaseless attentions. Of course we had nothing against him,
absolutely nothing, because after all being a millionaire art collector
is not in itself strictly criminal. But with the memory of that
beautiful romance in Italy still fresh in my own mind I could not
understand it--I simply could not; and every fiber of my being resented
it. Youth and age! It was all wrong. She had a silly notion that her
heart was dead, and that it didn't matter what she did. That if it gave
Sebastian happiness to marry her--why, he was good and kind and rich and
cultured and famous, and why not give joy since one could no longer
experience it?
Public-domain text, read in full here on John Shaqi.
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