It was a Lover and His LassOliphant, Mrs. (Margaret)
General
It was a Lover and His Lass
Oliphant, Mrs. (Margaret)
Scotland -- Social life and customs -- 19th century -- Fiction
"But not because she looks down upon any person," cried Miss Jean,
eagerly, "because she is not just very strong, and we insist she should
not weary herself, as it is her first ball, and she is not used to it."
Thus they took upon themselves the blame: while Lilias stood smiling
by, and from time to time accepted the arm of a partner more fortunate
than the rest, leaving her sisters in a flutter which it was difficult
to conceal.
"Now what could be the reason of her choosing _him_?" Miss Jean
whispered, in a faltering voice.
"Oh, just her ain deevil," cried Miss Margaret, moved out of all
decorum. "I think the creature will just drive me out of my senses."
"But she has good taste," said Miss Jean, wistfully, "on the whole."
This action upon the part of Lilias changed to them the whole character
of the evening. They would have liked that she should have been like
Katie, besieged by partners. The partners, indeed, had besieged her,
but the company was not aware of it, and it was possible that other
people besides Mrs. Seton might suppose it to be neglect.
This was not the only way in which Lilias signalized herself, though
fortunately it was only a few who were conscious of what she did. She
was dancing with Philip Stormont, whom, with a sense of the obligations
of a guest, she did not refuse, at the lower end of the gallery, far
away from the inspection of the greater ladies of the party. Poor
Philip looked very glum indeed, especially when Katie, at a height of
gaiety and excitement, which betrayed some sentiment less happy below,
came across him. He had never danced with Katie the whole evening
through, and as her enjoyment grew, his countenance became heavier
and heavier. Poor Philip was too far gone to attempt any semblance of
happiness; he turned round and round mechanically, feeling, perhaps, a
little freedom with Lilias, an emancipation from all necessity to talk
and look pleasant.
"Look at Philip Stormont revolving," Katie said to Lewis, with whom
she was dancing; "he is like a figure on a barrel organ. I suppose he
is tired, poor fellow. Perhaps he has been fishing all day, Mr. Murray.
You admire him for fishing all day: and you have been doing nothing
but playing the piano. I am sorry for Lilias; he is dragging her about
as if she were a pedlar's pack. Let us go round and round them," cried
that spiteful little person, pressing her partner into a wilder pace.
"You must not be cruel," said Lewis; "you will be sorry to-morrow if
you are cruel."
"Cruel!" cried Katie--"he never asked me till it was far too late. Was
I going to wait for him--he that has always come to us as long as I can
recollect?--and he never asked me. I want to show him the difference,"
Katie cried.
Public-domain text, read in full here on John Shaqi.
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