It was a Lover and His LassOliphant, Mrs. (Margaret)
General
It was a Lover and His Lass
Oliphant, Mrs. (Margaret)
Scotland -- Social life and customs -- 19th century -- Fiction
he did not play with his soul, and of all people in the world Miss
Jean was the most sensitive to the difference. She loved music not
for its technicalities, or for its execution, or for the grammar and
correctness of its construction. She loved it for the soul of it, by
instinct and not by purpose, and the fine dissatisfaction that arose
in her when she felt it came to her from his fingers only is more than
can be said. A veil of bewilderment came over her face. Was it her own
fault? was her mind taken up with the excitement of the journey, the
cares which she shared with her sister respecting Lilias? Miss Jean
placed herself at the bar with a sort of consternation. But it was
not she who was to blame. Had she received it as usual with serene
satisfaction and delight, he would have continued for some time at
least, anxious and excited though he was; but when the support of her
faith was withdrawn, this became impossible. He stopped abruptly when
he came to the end of the movement he was playing, broke into a wild
fantasia, and finally jumped up from his seat after a great jar and
shriek of outraged chords, holding out his hands in an appeal.
"Pardon!" he cried, "pardon! I cannot play a note--it is too strong for
me, and you have found me out."
"You are not well," she said, with ready sympathy, "or there is
something wrong."
"There is this wrong," he said, "that I think all my life is going to
be settled to-day. You, whom I have always revered and loved since I
first saw you, let me tell it to you. Oh! not the same as what happened
the other day when you stopped my mouth. I do not know what you will
think of me, but it was not falsehood one way or another. I had
scarcely seen her then. I have asked Miss Margaret for an interview,
and this time it is for life or for--no, I will not be fictitious, I
will not say death: for that is not how one dies."
"An interview with Margaret?" Jean repeated after him. She grew a
little pale in sympathy with his excitement. "My poor lad, my poor lad!
and what is that for?"
But she divined what it was for. For a moment it startled her indeed.
That gentle sense of property, of a sort of possession in him, which
was involuntary, which was the merest shadow of personal consciousness,
disturbed and bewildered her for a moment. Was this what he had
meant all along? It gave her a little shock of humiliation, not that
he should have changed his mind, but that she should have mistaken
him. How glad she was that she had stopped him at once, that she had
prevented all compromising words; but yet the possibility that she had
been so ridiculous as to mistake as addressed to herself what was meant
for Lilias, did touch Miss Jean's mind for a moment with a thrill of
pain; the next she was herself again.
"It is Lilias you mean?" she said, in a low and tremulous voice.
Public-domain text, read in full here on John Shaqi.
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