It was a Lover and His LassOliphant, Mrs. (Margaret)
General
It was a Lover and His Lass
Oliphant, Mrs. (Margaret)
Scotland -- Social life and customs -- 19th century -- Fiction
Gowanbrae, in fact, was better adapted for summer than for winter. When
the hills were covered with snow, the prospect was melancholy, and down
by the burn, though it was lovely, it was damp in the autumn rains.
The broad drive in the park between old Murkley and new, had always
supplied a dry and cheerful walk, and even the well-gravelled road by
the Tay was sumptuous in comparison with the muddy roads wending by
farmsteadings over boggy soil towards the moors. Indoors, to be sure,
all was cheerful, but even there disturbing imaginations would enter.
Miss Jean would spend hours playing the music which Lewis had left with
her, and which was a little above her powers. Her pretty "pieces,"
the gentle "reveries" and compositions that were quite within her
range, the Scotch airs which she played so sweetly, were given up,
with a little contempt and a great deal of ambition, for Mozart and
Beethoven; and the result was not exhilarating. When Margaret said, "I
would far rather hear your Scotch tunes," Jean would smile and sigh,
with a little conscious pride in her own preference of the best, and
play the "Flowers of the Forest" or "Tweedside" with an air of gentle
condescension, which made her sister laugh, and took the charm out of
the pretty performance, which once had been the pride of the house. As
for Lilias, she was more indulgent to these reminiscences of the past.
It did not trouble her, as it might have done had her ear been finer,
to hear the stumbling and faltering of Jean's fingers in her attempt
to render what the practised hands of the other had done so easily. On
the contrary, in the long winter evenings, when the house was shut up
by four o'clock, Lilias, with her book of poetry, whatever it might
be--and her appetite was so large that she was not so fastidious as
perhaps she ought to have been--half-buried in a deep easy-chair by
the fire, would catch, as it were, an echo of the finer strain as her
sister laboured at it, and liked it as it linked itself, broken yet
full of association, with the other kind of music she was reading.
Sometimes, when Margaret was absent, there would be a little colloquy
between the pair.
"That is bonnie, Jean. Play just that little bit again."
"Which bit, my darling?--the beginning of the andante?"
Miss Jean had learned from Lewis to speak more learnedly than was
natural.
"Oh, what do I know about your andantes? Play _that_--just that little
flowery bit--it's like the meadows in the spring."
"I wish Mr. Murray, poor lad, could have heard you call it that."
"Why is he a poor lad? I thought he was very well off. You always speak
of him in that little sighing tone."
"Do I, my dear? Oh, he is well enough in fortune--but there are more
things needed than fortune to make a young man happy."
Upon which Lilias laughed, yet blushed as well--not for consciousness,
but because she was at the stage when the very name of love brings the
colour to a girl's cheek.
Public-domain text, read in full here on John Shaqi.
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