It was a Lover and His LassOliphant, Mrs. (Margaret)
General
It was a Lover and His Lass
Oliphant, Mrs. (Margaret)
Scotland -- Social life and customs -- 19th century -- Fiction
"You're not getting up yet, Mr. Murray," she said. "Oh, no, no, you
mustn't do that. It is just a treat, such as we seldom get. You see,
there are few people that can give the time to it. You must have
practised a great deal, far more than our young people will take the
trouble to do. Oh, you never bound yourself to hours? That must have
been because you were so fond of it, and just played on without taking
count of the time. Do you hear that, Katie? That is what you ought to
do, if you would ever be a performer like Mr. Murray. Just let him hear
you play that last thing of yours. Well, it is not like what Mr. Murray
can do, of course, but it is not at all bad for a little thing like
you; and very likely Mr. Murray could give you a hint or two. A hint
is sometimes of such consequence. Toots! just get up at once. When you
have to be pressed, and coaxed, and all that, people expect something
very grand. Now, in your simple way, you should just do it at once, and
nobody would criticise."
"But Mr. Murray doesn't want to hear me play. He plays far better--oh,
so much better--himself," cried Katie.
"Just never you mind that," said her mother. "Do your best, nobody can
do more. When you are as old as me, you will know that the best judges
are always the ones that are least hard to please. Just go at once,
Katie. Perhaps you will tell her what you see particularly wrong, Mr.
Murray," she added, as the girl reluctantly obeyed. "Unfortunately, we
can get so little advantage of masters here. I am always telling Mr.
Seton we must give her a winter in Edinburgh, just to get into the ways
of the world a little; for you cannot do that here--oh, no, no, you
just can't get that in the country. You must see people, and see how
they behave. But a clergyman has such a difficulty in getting away,
unless he really falls ill, or something of that kind; and it would be
going too far, you know, to wish for that. I think myself sometimes
that I see signs of overwork, but Mr. Seton will not hear of it--he
just will not hear of it. Katie, Katie, that's a great deal too quick.
Do you not think that was too fast, Mr. Murray? Dear, dear! you must
always count, you must not trust to your ear; and don't be so strong
upon the pedals, Katie. That was a little better. Take care of the
time, and the tune will take care of itself. La--la--la-la-la--la,"
sang the anxious mother, accompanying with waving hand and head the
somewhat uncertain performance.
Lewis was so sympathetic that he was quite conscious of Katie's
indignation, and shamefacedness, and blinding embarrassment, as well
as of the humour of her mother's remarks, which ran on all the time.
He got up after a little while and went and stood behind the young
performer.
"Don't be frightened," he said, in an undertone. "If you will play more
slowly, and not lose your head, you will do very well. I used to lose
my head, too, and make a dreadful mess of it when I was your age."
Public-domain text, read in full here on John Shaqi.
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