Italian Letters of a Diplomat's Wife: January-May, 1880; February-April, 1904Waddington, Mary King
General
Italian Letters of a Diplomat's Wife: January-May, 1880; February-April, 1904
Waddington, Mary King
Rome (Italy) -- Social life and customs
We went up to the Pincio, to have a last look at St. Peter's and the
Doria pines before the sun went down. There were few people; it was
late, and we had the terrace to ourselves. The dome stood out, quite
purple, against a clear blue sky, and seemed almost resting on the
clouds. There was a slight mist, which detached it from the mass of
buildings. Rome hardly existed--we only saw the dome. I was sorry W. was
not there to have that last beautiful picture in his mind. Del Monte,
who was also lingering on the terrace, joined us and said he would walk
back with me along the terrace of the Villa Medici, so I sent Gert back
to her palazzo in the carriage and he and I strolled along and talked
over old times; so many recollections of things done together--rides on
the Campagna, hours of music of all kinds, particularly at the Villa
Marconi at Frascati. I asked him if he had ever gone back there since we
left. The villa was often let to forestieri. One year there was an
English family there, father, mother, _one_ son, and _eight_ daughters.
They used to go about always in three carriages. He said he had never
known any one there since us. He remembered so well all the music we did
in the big room. When it was a fine night all the mezzo ceto (petite
bourgeoisie) who were in "villegiatura" at Frascati would congregate
under our windows, whenever we were singing and playing. If they liked
our music they applauded; if they didn't (which happened sometimes, when
the strains were not melodious enough) they were too polite to express
disapproval, and would remain perfectly silent. We used to hear them
singing and whistling our songs when they went home. We amused ourselves
often trying them with music they couldn't possibly know--plantation
songs or amateur music which had never been published. We would sing
them one evening; the next they would come back and sing all our songs
perfectly well (no words, of course). They had an extraordinary musical
facility. Often when we stopped, or on some of the rare occasions when
we didn't do any music, they would sing some of their songs--many of
them ending on a long, sustained note quite charming.
Public-domain text, read in full here on John Shaqi.
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