Serafino was always close to the Pope. I asked d'Antas to show me Cardinal Rampolla, who has a fine head and dignified carriage, rather a sad face. It was very impressive when the Pope left his throne by the altar and walked across the great space to the other one at the end of the nave. Every one knelt as he passed, the cardinals, bishops, gardes-nobles, everybody in the tribunes (at least everybody in the front row, I won't answer for the young ones behind, but they stood if they didn't kneel). There again the ceremonies were very long. When the Pope had taken his seat, many of the cardinals sat too on the steps of the dais. It was very picturesque, and the Eastern prelate stood out well from the group of white-robed Cardinals in his bright flowered garments. The Evangile was read in Latin and in Greek--a great many things and people were blessed, every one kneeling at the foot of the dais, and again when they got close up to the Pope; some quite prostrated themselves and kissed his slipper (a very nice white one) which they say he hates. Prince Orsini, premier assistant of the Saint Siège, officiated, and looked his part to perfection. He is tall, with a long white beard, and his short black velvet cloak, with a long white and silver mantle over it, was most effective. I don't know exactly what he did, but he appeared various times at the foot of the dais, knelt, and sometimes presented something on a platter. He was always accompanied (as were all who took any prominent part in the ceremony) by two priests, one on each side of him; sort of masters of ceremony who told him when to kneel, when to stand, etc. On the whole all the music disappointed me. The Gregorian chants were too thin; the Sistine choir didn't seem as full and fine as it used to be, and the silver trumpets absolutely trivial. It was most impressive at the moment of the elevation, almost the whole assembly in that enormous church kneeling, and not a sound except the silver trumpets, which had seemed so divinely inspired to me in the old days. I remember quite well seeing Gounod on his knees, with tears streaming down his face, and we were quite enchanted, lifted out of ourselves and our every-day surroundings. This time I was perfectly conscious of a great spectacle of the Catholic Church with its magnificent "mise-en-scène," but nothing devotional or appealing to one's religious feelings. I should have liked to hear a great solemn choral of Bach, not an ordinary melodious little tune; and yet for years after those first days in Rome I never could play or hear the music of the silver trumpets without being strangely moved. I thought the Pope looked very pale and tired as he passed down the long nave the last time and was finally carried off in his chair with his peacock fans waving, and a stately procession of cardinals and prelates following. I think he regrets Venice and the simple life there as pastor of his people.