Italian Letters of a Diplomat's Wife: January-May, 1880; February-April, 1904Waddington, Mary King
General
Italian Letters of a Diplomat's Wife: January-May, 1880; February-April, 1904
Waddington, Mary King
Rome (Italy) -- Social life and customs
We walked about the gardens with the queer, old-fashioned flower-beds
and the little lake with a mosaic pattern at the bottom, and talked to
quantities of people. The drive down was enchanting; the sun setting,
clouds of every colour imaginable and a sort of soft "brume" that made
every dirty little street (and there are many in Rome) look picturesque.
We went to the ball at the British Embassy in the evening, taking
Charles de Bunsen, who protested at first he didn't go to balls any
more, etc., but he found plenty of old friends and was very glad he had
gone. The house looked very handsome--the ball-room with its decoration
of flowers, cupids, etc., had a decidedly festive appearance. I danced
two quadrilles--one with Count d'Aulnay and the other with the Duke of
Leuchtenberg who was here with his wife, Comtesse de Beauharnais. As it
is a morganatic marriage (he is a Royal Prince) she can't take his name
and title. She was beautifully dressed, had splendid jewels--pearls as
big as eggs.
[Illustration: Grounds of the Villa Doria-Pamphili, Rome.
From an unpublished photograph taken about 1869.]
The ball was very gay, lots of people. We stayed quite late; went to
supper, which W. generally refuses with scorn, and only left at 1.30.
They were preparing for the cotillon, but were going to dance a
"tempête" (whatever that may be) first. I hear they danced until 4
o'clock.
Thursday, 12th.
We had a nice dinner at the Villa Medici Tuesday night. The Director M.
Cabat, his wife and daughter, M. and Madame Geoffroy and 5 or 6 of the
young men. They all love Rome and say it is a paradise for an artist.
Such beautiful models of all kinds in the old pictures and statues. I
ventured to say that I thought one or two of the modern Roman
things--fountains and statues--were pretty, but I was instantly sat upon
by the whole party--"no originality; no strength, weak imitations of
great conceptions, etc." I suppose one's taste and judgment do get
formed looking at splendid models all the time; still the world of art
must go on and there is no reason why the present generation shouldn't
have graceful fancies, and power to carry out their dreams. We didn't
stay very late and went on to Countess Somaglia, who was receiving.
There were only two or three ladies. Her younger sister, Olympia Doria,
married to a Colonna, the Marquise Sant' Asilea and two others I didn't
know. Quantities of men came in and out, Calabrini, Vitelleschi,
Minghetti. The "maître de maison" was not there. I was sorry, as I had
never seen him. Lucchesi-Palli came up and claimed acquaintance--said he
had danced at Casa Pierret in the old days. I introduced him to W. who
was rather interested at meeting a half brother of the Comte de
Chambord. He is much astonished at the quantity of people I know, but I
told him one couldn't live years in Rome without seeing almost every
one worth knowing, as everybody comes to Rome.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account