The escape of Giovanni Casanova from under the Leads of the Grand Ducal
Palace in 1756, as described by himself, exhibits a remarkable
combination of patient ingenuity and the most determined courage. The
incident deserves to be inserted here in some detail, and will serve to
bring home to the reader some of the curious conditions of the inmates
of gaols in the latter half of the eighteenth century. The story is to
be found in his autobiography, a book of memoirs, the authenticity of
which has been seriously questioned, but his prison experiences bear
the distinct impress of truth; he writes with a precision and
particularity that must be wanting from any purely imaginative fiction.
He must surely have acted personally in the events he describes; the
difficulties he surmounted were real; the perils and adventures through
which he passed successfully could never have been invented; all the
incidents and episodes were solid, sober facts. In other respects these
memoirs may appear shadowy and untrustworthy. Much of the matter seems
too highly coloured and full of exaggeration. This prince of vauriens
was no doubt a great liar. We can easily believe that he was constantly
in luck’s way, long able to keep his purse full by his winnings at the
gaming table; but when he tells us how he rubbed elbows with the best in
society, appeared at European courts, talked familiarly with crowned
heads and received civilities and high consideration from princes and
great personages, we are disposed to question his veracity. He was
unquestionably a real personage and the hero of many stirring and
surprising adventures, and in none does he show to so much advantage as
in his escape from the prison of the Piombi. It is certain that at an
early stage of his profligate and depraved career, he came under the
grave displeasure of the authorities of his native Venice and was
committed, arbitrarily, no doubt, but not altogether wrongly, to the
tender mercies of the legal custodians of the Grand Ducal Prison. His
arrest put a summary check upon his vicious and dissolute proceedings,
but it was not on account of his immorality that they laid hands upon
him; his chief offence was that he was supposed to deal in magic and was
in possession of certain forbidden books on the Black Art, containing
the formulas and incantations to be used in raising evil spirits and
communing with the devil.
Public-domain text, read in full here on John Shaqi.
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