When subjected to the “cord” the brothers’ courage failed. This was
torture by means of a rope attached to the arms and rove into a running
knot with a pulley in the ceiling. When run up, the whole weight of the
body was borne by the arms which were nearly drawn from their sockets.
Then the _squasso_ was tried, a sudden drop of the body, but not so far
as to touch the floor. The brothers stood out at first but were told
their sufferings would be increased by the addition of lead weights to
their feet. Then they gave in and admitted the crime but laid the chief
blame on Beatrice as the instigator. Lucrezia being aged and corpulent
was not tried with the cord.
Beatrice, however, would not yield to either the persuasion or threats
of the judge. She bore the torment of the “cord” with extraordinary
firmness. Torture failed to extort a single word from her. The judge saw
in this no obstinacy but a proof of innocence, which he duly reported to
the pope. Clement VIII, believing the judge to be swayed by the
prisoner’s great beauty, gave the case to another, made of sterner
stuff, one Luciani, a man of cruel character. When Beatrice persisted in
declaring her innocence, he ordered the torture of the _vigilia_ to be
continued with full severity for five hours.
The _vigilia_ is a narrow stool with a high back having a seat cut into
pointed diamonds. The sufferer sits crosswise and the legs are fastened
together on either side without support. The body is closely attached to
the back of the chair, which is also cut into angular points. The hands
are bound behind the back with a cord and running knot attached to the
ceiling. The process of the torture is to push the victim from side to
side against the points, run the body up and drop it perpetually the
whole of the time ordered. The first infliction failed of effect and it
was repeated on the third day. Beatrice was almost exhausted, but she
still declined to confess, and the next stage in the devilish business
was that of the torture of the hair, _capillorum_.
Public-domain text, read in full here on John Shaqi.
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