So they opened the door—and Cecilia, radiant and fresh as a rose washed
in dew, knelt there in prayer, her lovely face raised to Heaven, her
pure hands clasped in love and thanksgiving. Terrified, the men rushed
to tell Almachius of the portent.
“Let a Lictor go and behead her!” was all he said. Some man was found
to do it—though unwillingly, since even the most brutal and ignorant
felt that here was one mysteriously protected by Heaven—and might not
Heaven—even the Heaven of Jupiter and Apollo—smite him who should
raise his hand against her? Still, orders were orders. In the soft
May morning a heavy tread sounded over the mosaic pavements of the
palace. The sweet lady’s friends and dependents cried out as they saw
a man stride along towards the “calidarium”—where, in obedience to
the Prefect’s commands, she had remained—swinging a heavy two-handled
axe. The Christians who were the trophies of her conquests for Christ
besought her, between their sobs, to pray for them in Heaven. She bade
them be comforted—smiling radiantly and mysteriously—and knelt down on
the still wet marble to receive the blow.
But the Lictor’s hands were trembling so that he could scarcely grasp
his weapon. Three times he struck, and each time the steel sank deep
into the meek white neck, and the blood crimsoned the golden robe
and the marble floor. Then he fled in terror. The Roman law forbade a
fourth stroke. Cecilia was lying on the reddened marble, on her side,
Urban and the rest kneeling around her. And it was she who broke the
silence, bidding them pray to God and then listen to her, since she
still had somewhat to say to them. Some among them were yet in need of
instruction, many in need of comfort and encouragement; so she taught
and prayed, and comforted them for three long days, never moving from
the spot where she had sunk down under the strokes of the axe; and they
were left in peace, since cold fear had fallen on the city and none
dared approach Cecilia’s house to ask how it fared with her.
During all this time her face showed that she was suffering the agonies
of death, though she found her old sweet smile for each and all of her
spiritual children and her beloved poor, as they crowded round her to
kiss her garments and try to staunch her wounds, and to dip their linen
cloths in the treasure of her blood. Her last endearments were for the
poor, and whatever remained of her own properties in the house she now
commanded to be given to them. Each word she spoke seemed as if it must
be the last, yet still she lived—and smiled, and blessed them.
Public-domain text, read in full here on John Shaqi.
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