One of his first resolves on coming to Rome in 1591 was to rebuild the
almost ruinous Church of St. Cecilia, and, while doing so, to find her
tomb, of which the exact location had been lost in the eight hundred
years that had elapsed since Paschal closed it. Other traces of her
presence had also disappeared, and it was reserved for Sfondrato to
rediscover the bathroom where she had expired. At first a chapel had
been built over it, but with succeeding modifications this had been
pulled down and the space incorporated in the Church, and, although
there were old men then alive who remembered having prayed there
in their childhood, it was only after much study of the ancient and
actual topography that Sfondrato was led to the correct spot. There,
however, all doubts were set at rest. He found the “calidarium,” of
the small size adapted to a private dwelling, with its marble floor,
its great boiler, and the remains of the leaden and earthenware pipes
through which the steam percolated into the bathroom. When the rubbish
was cleared away it was easy to call up the touching scenes it had
witnessed in those May days fourteen hundred years earlier.
The pious Cardinal, wishing to place under the High Altar of the
restored basilica some precious relics of other saints, commanded the
workmen to take up the pavement, so that the supposed space below could
be utilised for this purpose. They found, however, that there was only
a very small recess there, and that all further excavation was arrested
by a thick rounded wall of exceedingly solid material. Sfondrato at
once realised that this must be the barrier mentioned in Paschal’s
account of the burial of St. Cecilia by himself, and directed the
masons to make some aperture in the wall, through which a glimpse might
be obtained of that which it protected. At the same time he was so
scrupulous as to the respect to be shown to the martyr that he forbade
the men to strike a blow of any kind except in his own presence.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account