Alaric prided himself on his Christianity, but the sectarian hatred
of many things that Catholicism reveres was so irrepressible that, as
I have already related, the tombs of the martyrs were sacked whenever
they were discovered, and the traces of their blessed footsteps all
but obliterated in many of the Catacombs. There were, too, some of
the fairest virtues of Christianity in which the Arian conquerors
simply refused to believe; charity, self-denial, voluntary poverty
for Christ’s sake—these were such unbelievable folly in the eyes
of those baptised Barbarians that they laughed at and punished them
as various forms of fraud. One pitiful picture stands out from the
red reek of those awful six days—that of the saintly Lady Marcella,
living in her old age in her palace on the Aventine, whence every
object of value had long vanished—to feed the orphan and the widow.
Her only earthly treasure is one sweet girl, her adopted daughter,
Principia, who repays her love with all the devotion of a young heart,
and follows her example, asking nothing from life but the honour of
serving Christ in His suffering poor. No slaves surround the two noble
women; their garments are mean and threadbare in the eyes of men,
though they look marvellously rich to their Guardian Angels. Alone
in their empty palace they two pray and weep while the roar of the
sack and the shrieks of the dying sound up from the streets below.
Then the invaders have sighted the fair palace on the hill; there is
a rush for the entrance—every man would be the first to pick his loot
from the treasures it must contain. Marcella drags Principia to a
remote hiding-place—those fierce eyes only rest on youth and beauty to
destroy—and returns to face the robbers, alone. The great fair-haired
fellows, drunk with license, crowd round her, shouting in their uncouth
tongue that she must bring forth her treasures. In vain the delicate
old lady assures them that she has none, that the threadbare garments
she points to are the only ones she possesses, and that the only
vessels she uses are those common earthenware cups and jars in the
corner, that all the rest has gone to the poor.
“It is a lie!” they cry. “A lie! You have buried your gold and
silver—show us where it is!”
She calls on Heaven to witness that she has nothing, nothing but what
they see, but the lust of gold has driven them mad. They seize her,
throw her to the ground, and beat her with their heavy clubs till
she is all but dead. Yet her heart lives. She has been praying for
one thing in her torture and now she asks it of them as, weary of her
obstinacy, they turn to search the dwelling for themselves:
“One thing I ask of you, and I freely forgive you all your cruelty.
Leave me my daughter Principia—let me live for her sake. She is
young—timid—if we are separated—if she is left desolate of my
protection—she will die of despair!”
Public-domain text, read in full here on John Shaqi.
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