After Cangrande’s demise, however, the lordship of his dominions fell
into very different hands. He was succeeded by his two nephews, Mastino
and Alberto, of whom the elder was devoured by an insatiable ambition
to extend his lordship still further and to make of it an independent
kingdom and the arbiter of Italian destinies; whilst the younger,
Alberto, was merely a man of pleasure. Thus it came about that before
long Mastino had engaged his people in disputes with the republics
of Florence and Venice and the clans of Este, Visconti, and Gonzaga;
Alberto, as his subscription to the general ill-will, having at the
same time inflicted an outrageous wrong upon the great Paduan house of
Carrara in the person of one of its women. So that the Scaligeri had
to contend with external foes and with rebellion as well. By the end
of 1339, ten years after Cangrande’s death, their dominions had been
reduced to the two cities of Verona and Vicenza; moreover, Mastino had
been excommunicated for killing his uncle’s kinsman, Bishop Bartolomeo
della Scala, in anger at some remonstrance on the prelate’s part. His
repentance, though, was sincere and lasting; for it is said of him
that, after the crime, he never again suffered any living being to
look upon his face, not even allowing his wife, Taddea de Carrara, a
relative of the lady injured by Alberto, to behold it. Mrs. Wiel, in
her brilliant history of Verona, to which famous work I would fain
express my immense obligation, is of the opinion that this tradition
may well owe its origin to the fact that the armoured equestrian
statue of Mastino, over his tomb in Verona, is represented with the
vizor down, as indicating Mastino’s desire to conceal his features
permanently from sight.
Public-domain text, read in full here on John Shaqi.
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