Still, if I am fortunate enough to lead some, through the lure of the
legend, to the serious study of the history from which the legend is
culled, my labour will have been repaid many times over. In the rush
and scurry of to-day, when excitement is mistaken for labour and bustle
for speed, scholarship—that is to say, the real and serious study
of real and serious subjects—has become, except for the illustrious
few, a thing of the past; but those few have gathered together, for
our benefit, a precious mass of material, a rich harvest of romance
wherewith we can brighten many a heavy hour; so let us wander into the
garden, culling as we go, and acknowledging our heartfelt gratitude to
those who planted it at the cost of such infinite toil.
The Bride of the Sea, seen from the distance, seems to rise like
a softly coloured pearl from the misty embrace of the waters, and
the effect is one of such awesome charm that, for a while, the
mind can hardly carry the suggestions that crowd in upon it. What
Venice contains! Is there any city in the world, save only Rome
and Jerusalem—the cradle and the House—that can compare with that
jewel-case?
The home, in one way or another, of Titian, Tintoretto, Giorgione,
Veronese, and Barbari—the story of Venice is so illuminated with the
glory of her children that its tragedy is almost lost in it, as black
rocks emerge with their surroundings in the glint of the mid-day sun.
From its meagre beginnings—a few slivers of land, half covered by the
sea, where some hundreds of exiles took refuge and sheltered themselves
in huts of mud and osier, down through the ages, she comes like an
Easter “Gloria”—first a whisper, then a murmur, and then, from note to
note, onwards and upwards, to the crashing splendour of her triumph.
Venice has grown old now, and she is content to doze in the sun’s
warmth and to dream of the golden past. Her gates are open now to
inquisitive sightseers, and one can imagine her smile of amusement
when, every now and again, some impudent brat digs her in the ribs,
Ruskin-like, and bellows his fortnight-formed opinions of her in her
ear.
“Oh, you were beautiful!” they cry, “but what a shocking condition
of ignorance and idolatry you did live in! Of course you could not be
expected to be as wise as Manchester or as spiritually enlightened as
Piccadilly Circus—still!”
“Still?” she answers mildly. “I once held the Crown of Thorns in my
hand—did you know that? It was a very long time ago—seven hundred years
and more—but I did.”
Public-domain text, read in full here on John Shaqi.
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