The elder of the two daughters born to Charles, Duke of Calabria
and Marie of Valois—both of whom had predeceased their father and
father-in-law, Robert, King of Naples—Joan was married as a child of
fourteen to her cousin Andrew, the grandson of King Charles of Hungary,
the brother of King Robert; and, on the death of the latter in the
month of January, 1343, succeeded him as his granddaughter on the
throne of Naples. At that time Joan, although not yet fifteen years
old, was beautiful with the beauty and grace of a grown woman; her
eyes were of a shade of brown so deep as to be almost black; whilst the
pallor of her complexion was enhanced by the lustrous dark hair of her
which she wore, according to the fashion of the day, in two long and
heavy plaits that fell nearly to her knees, moreover, her tall, slender
figure added several years to her appearance, whilst the expression of
her face, albeit sensitive and gentle, was one of determination and of
a latent strength of purpose far beyond that of most girls of her age.
For Joan of Anjou had already learned the meaning both of love and of
hate—the hate of her husband and the guilty love of another than he.
The name of the man for whom she had, even then, betrayed her Hungarian
husband was Robert of Cabano, the son of Filippa Cabano, and her
husband, Raymond, a Saracen, bought out of slavery by another Raymond
Cabano, who had given him his own name in baptism and had procured for
him the post of head cook to Charles the Hammer, King of Naples and
elder brother of King Robert, the grandfather and precursor of Queen
Joan. From being head cook, Raymond had since risen to the most eminent
post of Seneschal of the Kingdom of Naples.
Public-domain text, read in full here on John Shaqi.
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