In that same State of Naples, then, there were already two increasingly
definite factions, each with a different aim: the party of the
Dominican Father Robert and of the Hungarian nobles, that sought to
bring about the supremacy of King Andrew and the subjugation of Queen
Joan; and the party of Donna Filippa, with their programme of “Naples
for the Neapolitans”—that is, firstly, of securing sole sovereignty
for the Queen, and, secondly, of making the Queen herself the puppet of
their own will and the instrument of their aggrandisement.
And round about these openly contending factions there prowled,
watchful and ruthless, Charles of Durazzo, seeking only the opportunity
to make himself master of the situation. There were no lengths to which
Duke Charles was not prepared to go in order to attain his aim and to
satisfy the ambition that devoured him; no crime, however frightful,
from the contemplation of which he shrank as a means to his end.
Cost what it might, he would be King of Naples and of Jerusalem. The
chroniclers describe him as a pale man with close-cropped hair and a
thick beard; and, when agitated, he had a trick of frowning. Charles
of Durazzo had felt greatly aggrieved at the bestowal of Joan’s hand in
marriage upon Andrew of Hungary; for he, Charles, had been the nearest
in blood of all King Robert’s nephews to the throne, and to him, as
such, Joan ought to have been given. But never for an instant had he
allowed so much as a glimpse of his disappointment to be seen by any
one; never once had he suffered a breath of complaint to escape him.
Nevertheless, his resolve was only the stronger for the iron
self-discipline of the man; and, now that Joan was Queen, the hour
was come for him to try the first of the two alternatives by which
he was to achieve his object. He was still a bachelor, and Joan had
found favour in his eyes by reason of her loveliness; therefore, before
having recourse to the other expedient that he had laid out for himself
in case of need, Charles had determined to attempt the enlistment of
Joan’s coöperation in his designs.
With this object he obtained a private audience of the Queen, and
straightway proceeded to lay siege to her sympathies by every kind of
flattery and the most skilful hints of the dangers that threatened
her from the side of ungrateful and grasping favourites. Though he
named no names, yet Joan understood only too well whom he meant and
could not help evincing signs both of her comprehension and of her
agreement with him. From that he went on to speak more particularly of
the popular rejoicing at her succession to the throne; and, finally, of
the universal regret that she should be compelled by an unkind fate to
share that throne with one in every way unworthy both of herself and of
it.
Public-domain text, read in full here on John Shaqi.
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