It was about this time that he began to receive overtures, couched in
the most affectionate and brotherly language, from Napoleon at Elba. A
succession of disguised conspirators from Paris and other places passed
in and out of the Palace, in Naples, generally under cover of the
spring night, while the city disported itself along the waterfront, and
gay ladies and gay men sat over their cards in the great, cool rooms or
wandered about in the sleeping gardens.
For Naples was gay in those days. People saw light ahead after the
years of gloom. Hunger had vanished; real hunger, at any rate. The
King’s public works gave employment. Uniforms glittered everywhere. To
their minds, Naples was a Paris in miniature, so the lights shone and
the world danced and played on, music lay over the place in a rainbow
web of sound, and the blue sea smiled at the stars.
But up in the Palace, behind closed doors, Murat sat with his chin in
his hand, and his eyes wandering out to the sea from time to time, as
though he expected to see something there—something whose name was
never mentioned except between him and his wife, and then only in
whispers.
By ones and twos the mysterious figures arrived, coming in through side
doors, and staying a while, talking with their hands to their mouths,
some volubly and eagerly, some gently and hesitatingly, but one thing
could be observed of all of them, and that was that, somewhere on their
persons, casually as a trifle but plain enough to eyes that looked for
it, was either a small bunch of violets or a strip of violet coloured
ribbon or a bit of violet coloured silk.
“Are you fond of the violet?” they would ask when they met. “It will
return in the spring,” was the answer—and it was spring already down
there. Spring breaks in February in Naples. The King was, outwardly,
as gay as any, and only Caroline and a very few devoted friends saw the
other side of him. The ambassadors of the Allies were watching him, as
he knew, and, as was bound to happen, word came to them that strange
visitors were being entertained at the Palace, among them Princess
Pauline, Napoleon’s sister, who shortly afterwards returned to Elba.
Ferdinand, free of his rather dreadful Austrian consort, proceeded to
espouse a certain Lucia Migliano, a lady, it is said, of noble birth
but of a vulgar and immoral character—which is probably true, for how
could any clean and self-respecting woman have ever been induced to
marry Ferdinand?
Public-domain text, read in full here on John Shaqi.
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