There is a busy unromantic seaport called Livorno, a long way up
the coast from Naples, a Tuscan town of white streets and shadeless
squares, all alive with commerce, and, until I came to years of reason,
represented to me by the huge flapping straw hats, fine as silk and
pale gold in colour, which we children regarded as signals of summer
when, on the first hot day, the ribbons that held them were tied under
our chins, and we were admonished, on pain of sunstrokes and spankings,
not to take them off. I had among my possessions a toy Swiss cottage
all made of the same pretty straw, and I imagined that “Leghorn”
was a straw city with bunches of red poppies and blue ribbons on the
house-tops for ornament. It was rather a blow to discover, on being
taken there when I was seven years old, to find that the only traces of
my toy city were the thin golden strings which most of the women were
plaiting with lightning quickness as they walked in the streets or sat
in the doorways. After that, as I grew older, Leghorn meant just the
sea in some of its most enchanting aspects, for it was very rarely that
we missed our few weeks of bathing there in September, if we had spent
the summer in the North. It was the beginning of the autumn homecoming;
we took an apartment on the long bright boulevard that faces the sea,
the cook and one or two of the servants came up from Rome to look after
us, and, always, we had a royally good time. The last, I think, was the
best of all, happening after a memorable summer in the Bagni de Lucca,
which I have described elsewhere. My sister had just become engaged,
and her fiancé, Erich von Rabe, of course followed us to Leghorn. Hugh
Fraser was there, occupied mostly, it seemed to me, in saving the Paget
children from getting drowned, since they would attempt to follow their
indomitable young mother in her long swims out in the deep. Lady Paget
did everything beautifully; she was built like a goddess and could not
do anything else, whether she rode or danced or glided about in great
old rooms or flowery gardens; but she never seemed more of a goddess
than when she stood for an instant in her clinging draperies with her
arms above her head and then leapt, like a curved arrow, out and down
into the sun-kissed waves. One held one’s breath while they engulfed
her—and then, yards beyond, up came that proud small head, and away she
would go, with long easy strokes, a being at one with the sun and the
sea—a joy to behold.
Public-domain text, read in full here on John Shaqi.
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