us Churches with big airy domes and broad smooth naves where the light
flows free, and transepts that open wide for worshippers and pool up
the blessed sunshine like any bay in the Mediterranean.
But there was one point on which Ravenna, in my day at least (for it
has suffered since then), yielded the palm to no Mediterranean port—the
stately forest of stone-pines that stood like troops at rest, for
miles along the shore. The stone-pine is always beautiful, whether as
a solitary, striking up, one shaft of grace and strength, against the
sky, or as in great companies sunk to the knees in the deep turfy mould
that their needles have piled below them in the course of centuries.
They grow thus in the South over many a green acre of villa land,
sheltering an unending profusion of the delicate wild flowers that
thrive in that rich soil. But for real forests of stone-pines you
must go further north and skirt the coast. There you will see them
in their glory, miles of them together, and, if you are quiet and
will listen, you will learn a great deal. For, like the sons of the
Prophets, they have secrets of their own that have never been shared
with other tribes, secrets that have only been confided to them, and
that is why the solitary pine is such a true solitary; he invites no
companions from the gregarious world around; towering and alone, he
seems to gaze at unseen horizons, to praise the Lord in the murmur of
the far-spreading branches that crown the fretted column of his stem;
as for Elijah on Mount Carmel, so for him the past and the present and
the future blend into one great chord of trusting acceptance that no
passing storms can shatter, no warm caress lure from its allegiance.
Have you, in some fleeting moment, caught the opening bars of an air
that has haunted you afterwards for years, and then been led to where
some great orchestra gave it to you in all its completeness? That was
what happened to me when I first stood in the “Pineta” of Viareggio
and heard the full-voiced chant of the pines and the sea. I realised
that they were part of one another, so to speak, that the whisper of
the villa pine in the South is an echo and a greeting, brought by the
wind from the family home in the North, where all the secrets of tree
music are guarded as in some jealous ancient academy—no outsiders are
ever privileged to carry them away! Psalms and marches and dirges, the
wild call of the Laga, the C Major of the “Te Deum,” the wail of the De
Profundis—the trees overhead and the surges on the shore will let you
hear it all, and once heard it can never be forgotten.
Public-domain text, read in full here on John Shaqi.
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