Itinerarium curiosum (centuria I) : $b or, an account of the antiquities, and remarkable curiosities in nature or art, observed in travels through Great BritainStukeley, William
History
Itinerarium curiosum (centuria I) : $b or, an account of the antiquities, and remarkable curiosities in nature or art, observed in travels through Great Britain
Stukeley, William
Great Britain -- Antiquities -- Early works to 1800; Great Britain -- Description and travel -- Early works to 1800
We went through Wirksworth, and over the rapid Derwent, whilst on a
sudden (like the advantageous change of a scene) we were surprised at
the sight of Chatsworth, the famous seat of the duke of Devonshire,
deservedly reckoned one of the wonders of the Peak, as remarkable for
its situation in so wild a place as its curious fabric and ornaments.
The river here for a while puts on a smooth aspect, and glides gently
by, as unwilling to leave so glorious a place: between it and the house
is a fine venerable walk of trees, retaining the name of that great
philosopher Hobbes, who studied frequently under its shade. A noble
piece of iron-work gates and balusters exposes the front of the house
and court, terminated at the corners next the road with two large
stone pedestals of Attic work, curiously adorned with trophies of war,
and utensils of all the sciences, cut in _basso relievo_. This face
of the building is Ionic, the whole being a square of a single order,
but every side of a different model: a court in the middle, with a
piazza of Doric columns of one stone each overlaid with prodigious
architraves. The stone is of an excellent sort, veined like marble,
hewn out of the neighbouring quarries, and tumbled down the adjacent
hill: it is introduced into the work in very large sizes, finely
jointed. In the anti-room to the hall are flat stones, of fourteen
foot square, laid upon the heads of four pillars, and so throughout:
in the hall stairs the landing or resting steps of the same dimension:
the doors, chimneys, window-cases, stairs, &c. of marble; the sashes
very large, gilt; the squares two foot broad: the cielings and walls
of all the apartments charged with rare painting of Varrio and other
famous hands: the bath-room all of marble curiously wrought. The
chapel is a most ravishing place: the altar-end and floor marble, the
seats and gallery cedar, the rest of the wall and cieling painted. The
gardens abound with green-houses, summer-houses, walks, wildernesses,
orangeries, with all the furniture of statues, urns, greens, &c. with
canals, basons and water-works of various forms and contrivance,
sea-horses, drakes, dolphins, and other fountains that throw up the
water: an artificial willow-tree of copper spouts and drops water from
every leaf: a wonderful cascade, where, from a neat house of stone like
a temple, out of the mouths of beasts, pipes, urns, &c. a whole river
descends the slope of a hill, a quarter of a mile in length, over
steps, with a terrible noise and broken appearance, till it is lost
under ground. Beyond the garden, upon the hills, is a park, and that
overlooked by a very high and rocky mountain: here are some statues and
other antiquities.
[Sidenote: +Buxton.+]
Public-domain text, read in full here on John Shaqi.
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