Itinerarium curiosum (centuria II) : $b or, an account of the antiquities, and remarkable curiosities in nature or art, observed in travels through Great Britain. To which is added, the Itinerary of Richard of Cirencester, monk of Westminster. With an account of that author and his workStukeley, William
History
Itinerarium curiosum (centuria II) : $b or, an account of the antiquities, and remarkable curiosities in nature or art, observed in travels through Great Britain. To which is added, the Itinerary of Richard of Cirencester, monk of Westminster. With an account of that author and his work
Stukeley, William
Great Britain -- Antiquities -- Early works to 1800; Great Britain -- Description and travel -- Early works to 1800
The church antiquities of this place are capable of a large history,
if pursued thoroughly by a judicious hand: it would give one a good
idea of the ancient manner and magnificence of our great abbeys: there
are no where such remains of that kind left among us. The revenues
hereof are very great; which enables them to keep every thing in good
repair, and to live very splendidly: indeed the whole city is supported
only by the church. The cathedral is a very large and majestic
pile, of the Saxon manner of building intirely, and all of a piece,
except the east end transept and middle tower, and some later windows
of mullion-work put into the old frames. I call that the Saxon manner
which was in use among us at the time of the Conquest; being somewhat
Roman degenerate, with semicircular windows, and arches, and great
round pillars; the walls very thick, without buttresses: these, I
suppose, together with pointed arches, slender pillars, and the like,
which we call the Gothic, came from France. Very few monuments are left
here: one of a bishop, under the bishop’s throne: in the choir the
largest one, of a bishop, I ever saw; it is upon the ground, composed
of two huge flat stones: the brass of it, which was proportional, is
pulled off. Here are many of the ancient original copes, very richly
embroidered, in which they officiate at the sacrament service; a custom
here only preserved. The screen at the high altar is of stone, with
pinacle work, somewhat like that at St. Alban’s; with many niches for
images: behind is the stone under which lies the body of St. Cuthbert,
and upon which stood his shrine. The eastern wall of the church is one
intire transept, as long as the cross transept (I think,) and called
the Nine Altars, from so many there placed. Much painted glass of
saints, &c. Two images, among others left, are those of St. Cuthbert,
and venerable Bede. The dome under the middle tower is very high, with
a handsome balustrade of ancient manner within side. At the west end,
built upon a high wall from the edge of the river, is a place called
the Galilee, consisting of five ailes supported with handsome pillars:
the use of it, and the meaning of the name, I know not; but the
middlemost seems to have been an oratory, to pray for the soul of the
founder of it, whose tomb stands at the east end: his arms are, _Palé_
of ten, a mullet for difference. Near it, under a plain black tomb,
lies the great Bede, the light of learning in darkest times; the first
and the last among the monks. The cloisters are large and handsome;
so is the chapter-house. The dean’s lodging is that of the prior’s;
for the most part preserved in its primitive state; the hall, the
parlour, large and stately; the prior’s lodging-room well cieled, and
roofed with Irish oak, which Mr. Gale conjectures as old as Richard the
Second’s time, by the chained white-harts carved therein: the prior’s
kitchen is intire; a curious piece of geometry in stone, and vies with
Public-domain text, read in full here on John Shaqi.
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