clusters of grapes, olives, figs, and pomegranates with the accuracy of a miniature, and in a free and natural style. One of the pomegranates was represented as ripe and cracking, and every seed distinctly expressed. The mausoleum is, I should venture to say, a building perfectly unique in its way, as a remnant of antiquity; and therefore more difficult to describe by a recurrence to any known work of art. I cannot better, however, describe its effect on the mind than by saying, that it ought to be removed to Pompeii in company with the arch. It is certainly superior, as a work of art, to any thing yet discovered in that singular place; while it possesses the same indescribable domestic character which seems to bring you back to the business and bosoms of the ancients, in a manner which nothing at Rome can do. As far as I could judge by the eye, it is from forty to fifty feet in height. An open circular lanthorn of ten Corinthian pillars, surmounted by a conical roof of stone, and containing two standing figures, rests on a square base, presenting an open arch on each side, which is in its turn supported by a solid pedestal, exhibiting on each of its four sides a bas relief corresponding to the respective arch. There is great spirit and fine grouping in the bas reliefs, which represent battles of cavalry and infantry. The standing figures before-mentioned, to whose honour the mausoleum may be supposed to have been erected, are in the civil garb: and there is an ease and repose in their attitudes, corresponding with the grave, calm expression of the heads, of which necessary appendage the merciless French Itineraire has guillotined them without warrant. The colour of the freestone of which it is built is as fresh as that of the castle of Tarascon. The building is constructed with a thorough knowledge of what the human eye requires, tapering and becoming more light towards its conical top. It is also of size sufficient for all purposes of effect, though not too large for a private monument. The situation in which these relics stand is sufficient to add beauty to objects of less merit. They are placed, as I mentioned, on a cultivated rising ground, at the foot of the wild gray rocks which ran parallel to the former day's route, and which assume from this spot a more castellated appearance than when viewed from the road. On the other side a fine and boundless view opens into the great plain of Avignon and the Rhone, almost perplexing to the eye by its variety and number of objects: in which we distinguished Avignon itself, and Mont Ventou many leagues behind it, rising in height apparently undiminished, with light hazy clouds sailing along its middle, and backed by the wild Dauphine mountains, near Chateau Grignan. We could also distinguish Beaucaire, Tarascon, and a large part of the former day's route, to the extreme left; and the right opened into various vistas of the hilly country which we had to cross in our road to Marseilles.