A nearer approach to Cannes in no way disappointed us: the bay of Napoule, in the centre of which it is situated, presents, in different points of view, every variety of Italian scenery; and there may be conjectures less probable than that it was called originally by mariners the bay of Napoli, from some fancied likeness. To the latter celebrated spot it bears somewhat of a resemblance, but a stronger still to the Porto Venere, or bay of Spezia, both in the wilder and the softer part of its features; and the illusion is kept up by the grouping and form of the houses, and the Italian patois of the inhabitants, who are mostly a colony of Genoese fishermen. Nor ought the Hotel des Trois Pigeons to be forgotten, though its cleanliness and comfort, and the cheerful alacrity of its inmates, remind the traveller more of some quiet country inn on the Devon or Somerset coast, than of any thing Italian or French. It stands on a little rock just out of the town, looking on the sea, and facing the island of St. Marguerite; and there is perhaps no scene in which more historical recollections are combined under one point of view, than that which its windows command. The island, whose garrison and buildings are distinguishable by the naked eye, was for many years the prison of the mysterious Masque de Fer, whose identity, like that of Junius, has hitherto baffled conjecture. In the room where we were sitting Murat passed some of the time intervening between his expulsion from Naples, and the crisis of his fate; and on the sands about half a mile to the left, is the spot where Buonaparte first landed from Elba, and bivouacked during the night, surrounded by numbers whom curiosity had drawn out of the town to behold him. There is perhaps something characteristic of the different fortunes of this singular man, in the place from which he had embarked for Elba a year before, and in that where he first set foot on his return, full of hope and confidence. The former was Frejus, a place dreary and comfortless, surrounded by memorials of departed greatness, shrunk within a small part of its former limits, and deserted by the very sea, and it might have been mercifully chosen on purpose as the scene of his exit, in order to blunt his regret at leaving France. The latter was Cannes, a place,[52] as I have fully described it, full of cheerfulness, beauty, and rich distant prospects, corresponding almost in brilliancy to those which his mind was forming at the time. [Footnote 52: Vide Cooke's Views.]