Within a few miles of Orange we crossed the river Aigues by a handsome stone bridge, commanding a magnificent view of Mont Ventou. This mountain seems the most conspicuous landmark in the part of France which we were traversing, continuing visible as it does for two or three days journey with very little alteration of outline. To judge from its situation on the map, it could not be less than twenty-five or thirty miles from the place where we stood, though from the deception caused by its enormous length and height, and not uncommon in mountain scenery, it appeared accessible in a walk of two or three hours. I well remember, as an instance illustrative of this deception, the surprise of a Berkshire servant at Capel Curig, when informed that he really could not take an evening's walk to the top of Snowdon after littering up his horses, and return to supper. The effect in question is increased, and rather to the detriment of picturesque beauty, by the less hazy atmosphere of southern countries; but I never recollect so strong an instance of it, as in the view of Mont Ventou of which I am speaking. I was struck also by its great similarity to drawings which I had seen of AEtna from the Catanian coast, as well its outline, as the manner in which it rises from a cluster of satellite hills into the borders of the snowy region. Several scattered snow-ridges were visible near its top, contrasting curiously with the effect of the sun's rays reflected from its sides, which, instead of Campbell's picturesque "cliffs of shadowy tint" appeared a red-hot stony mass, and might be fancied by a slight effort of imagination, into AEtna covered with an eruption of burning cinders. The approach to the celebrated arch of Orange, commemorating Marius's victory over the Cimbri, is marked by an avenue of Lombardy poplars which line the high road. The classical and sombre stone pine, which gives so striking an effect to the tomb of the Scipios (as it is styled) near Tarragona, would have been more in character as an accompaniment to this proud monument also; but since the days of [24] Alpheus and his red silk stockings, the taste for _quelque chose de gentil_ has constantly poisoned those classical associations of which the French are so fond. The grave Patavinian is still designated by the tom-tit appellation of Tite Live; and the majestic arch, whose history would have been so well illustrated by his lost annals, is tricked out with a poplar avenue, like a summer-house on Clapham-common. [Footnote 24: See the Spectator.]