Art; Literature, Modern -- History and criticism; Music -- History and criticism
Professor Bernhardi is the professor of a medical institute in Vienna
known as the Elizabethinum. A patient, a young woman, is dying in one
of the wards, the victim of malpractice. But her passing away will be
painless. She is happy because she believes that she is on the road to
recovery, that she will live to marry her beloved young man. Euphoria,
the doctor calls her condition. To tell her the truth would be in his
eyes criminal. She would die in anguish. Why not let her go out of the
world in bliss? But a female nurse, a conscientious Roman Catholic,
thinks differently. With the aid of a budding student she sends for
Father Franz Reder in the near-by Church of the Holy Florian. The
priest obeys the summons, anxious to shrive a sinning soul, and to
send her out of the world if not to Paradise, at least to Purgatory.
In the office he encounters Professor Bernhardi, who tells him
politely but firmly that he won't allow his patient to be disturbed.
The priest, without excitement but painfully impressed, argues that,
even if there are a few moments of sorrow, the saving of the girl's
immortal soul is of paramount importance. The physician shrugs his
shoulders. His business is with the body, not the soul, and he
continues to bar the way. The priest makes one last appeal, uselessly;
but, unperceived, the nurse has slipped out, and going to the bedside
of the dying woman announces the advent of the holy man. The patient
screams in agony: "I am dying!" and she does die, from fright.
Bernhardi is enraged, though he never loses his air of sardonic
politeness. The act ends. The result of the incident, magnified by a
partisan press, is serious. A great lady, an archduchess, refuses to
head the list of the Elizabethinum annual charity ball. She also snubs
the wife of an aristocratic doctor. The politicians make fuel for
their furnace, and presently the institution finds itself facing a
grave deficit, perhaps ruin, for the minister of instruction does not
favour further subventions, though he is a school friend of Bernhardi;
worse follows, the board of directors is split, some of its Jewish
members going so far as to say that Bernhardi should not have refused
the consolations of religion to the dying. Wasn't the Elizabethinum
Roman Catholic, after all?
Public-domain text, read in full here on John Shaqi.
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