J. Comyns Carr: Stray Memories, by His WifeCarr, Alice Vansittart Strettel
General
J. Comyns Carr: Stray Memories, by His Wife
Carr, Alice Vansittart Strettel
Carr, J. Comyns (Joseph Comyns), 1849-1916
Sarah and our dear Ellen Terry were always great friends, and I call
to mind a pretty little passage when they were sitting opposite to one
another and Sarah, leaning forward, cried, in response to some gracious
word of Nell’s: “My dearling, there are two peoples who
shall never be old--you and me.”
The words are still, happily, true at the hour when I write.
Relating to members of the German stage entertained by Sir Henry, the
most amusing incident is that related by Joe himself in detail: of
the great actor’s grim humour in calling upon him suddenly to
speak in praise of the Sax-Meiningen Company, when Joe had innocently
told him an hour before that he had been unable to go to any of their
performances. Ladies were not present on that occasion, but I was told
that Joe’s speech was one of the wittiest he ever delivered:
there was nothing that so sharpened his rapier as being apparently put
at a disadvantage.
I find no mention by himself of a similar occurrence on a different
issue. This time Irving had invited the Oxford and Cambridge crews to
supper and, being suddenly indisposed, was unable to propose their
health. Without even waiting to be asked Joe rose to his feet and,
anxious to divert the young men’s attention from their host,
surpassed himself in exuberant fun, keeping them in a roar of laughter
for a quarter of an hour over his alleged uncertainty as to which of
the two ’Varsities had secured the honours of the boat-race.
I am told that Joe again acquitted himself well at a dinner given to
Arthur Balfour, when Anthony Hope called upon him without notice from
the chair to return thanks for his proposed health. I don’t know why or
how the inspiration came, but “Love” was Joe’s topic, and it is easy to
imagine what a gracious and merry time he made with the various aspects
of this subject.
Of his meetings with Italian actors and actresses Joe does not speak
save in the instance of Madame Ristori, for whose genius he had an
unsurpassed veneration.
His _Eminent Victorians_ contains the tale of an afternoon at her house
when she had invited him and one or two of the dramatic critics to hear
her speak _Lady Macbeth’s_ sleep-walking scene in English with a
view to doing it before a British audience.
Her large and sonorous rendering of the line “All the perfumes
of Arâbia” delighted him, though he tried to teach her our
own insular pronunciation; he was loudly in favour of the public
performance in English, which she finally gave, and I shall never
forget the awe-inspiring effect of the slow and gentle snoring which
she kept running through the whole of the speech.
Joe never admired even Salvini as much, though he revelled in his great
voice on the resounding Roman tongue. He made us all laugh one day by
mimicking the mincing tones of a Cockney interpreter translating the
Italian tragedian’s sonorous language when returning thanks for
his London welcome at a public dinner.
Public-domain text, read in full here on John Shaqi.
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