J. Comyns Carr: Stray Memories, by His WifeCarr, Alice Vansittart Strettel
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J. Comyns Carr: Stray Memories, by His Wife
Carr, Alice Vansittart Strettel
Carr, J. Comyns (Joseph Comyns), 1849-1916
I had not known my husband six months before I knew him for an
enthusiastic fisherman. He tells in his Reminiscences of the first
teaching he had from a reprobate old peasant in the Lake Country, and
the passion for it never left him; the happiest of his summer days
were spent in the pursuit of it and, from the time when I--set to
watch a float while he threw a line further down the stream--allowed
the fish to escape, to an evening towards the close of his life when
I helped his unsteady steps to the bank of the Windrush at Burford,
his characteristic grey felt hat stuck full of flies and the graceful
gesture with which his long line was flung back and forward and then
laid softly on the water of some quiet stream, are among the things
which I often recall.
I can see him now, on that first holiday, stumbling with his swaying
rod down the rocky bed of the Dove with the sunset behind him, while
I sat waiting on a grassy bank eager to know what sport he had had
as soon as he was within earshot. He was a most expert angler; and
that was the beginning of many happy fishing trips--in Derbyshire
and Westmoreland, on the Tweed at Peebles and the lochs and rivers of
Perthshire, Argyllshire and Sutherland; but most notably on the stretch
of a Hertfordshire stream which he rented for some years with other
friends, and where he could best exercise his skill with the dry fly.
A tiny cottage, just big enough for three men or for me and the
children, stood on the edge of the water, which was crossed by a plank
bridge. Sometimes, when there was no one else, I would be allowed--most
alarming of experiences!--to use the landing net, and I think any of
his angling comrades--A. E. W. Mason, Seymour Hicks, Sam Sothern and
others--would sympathise with my terror over the responsibility.
I think there were no happier days in my husband’s life than
those spent in that Hertfordshire cot, and there is no frame into which
his figure fits more familiarly than the sedgy bank of that sunlit
river, hemmed by boldly contrasting forget-me-not and marshmallow, with
the May-fly flitting over the sparkling ripples and the shaded pools.
And nothing so helped his periods of creative work as this rural
recreation.
It was on the shores of Loch Rannoch that he wrote the first Acts of
his _King Arthur_ for Henry Irving, and on the banks of the Lea that
he saw the barge bearing the body of the Fair Elaine. The Black Mount
at the foot of the loch may have stood for the rugged rocks around
Camelot, and the limpid stream dividing emerald meadows at eventide,
for the river that circled Arthur’s Halls.
He was wont whimsically to declare that the “gaslights of
Piccadilly” were more satisfying to him than a country life
unless enhanced by the pleasure of sport; but no one saw the beauties
of Nature in the intervals of sport more sympathetically than he did,
as he tells for himself in _Coasting Bohemia_:
Public-domain text, read in full here on John Shaqi.
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