Child labor -- Fiction; French fiction -- Translations into English; Illegitimate children -- Fiction
Jack had understood for some time that between these two women there
was a secret. He loved them both: Zénaïde won his respect and his
admiration, while Madame Rondic, more elegant and more carefully
dressed, seemed to be a remnant of the refinements of his former life.
He fancied that she was like his mother; and yet Ida was lively, gay,
and talkative, while Madame Rondic was always languid and silent. They
had not a feature alike, nor was there any similarity in the color of
their hair. Nevertheless, they did resemble each other, but it was a
resemblance as vague and indefinite as would result from the same
perfume among the clothing, or of something more subtile still, which
only a skilful chemist of the human soul could have analyzed.
Sometimes on Sunday, Jack read aloud to the two women and to Rondic.
The parlor was the room in which they assembled on these occasions. The
apartment was decorated with a highly colored view of Naples, some
enormous shells, vitrified sponges, and all those foreign curiosities
which their vicinity to the sea seemed naturally to bring to them.
Handmade lace trimmed the curtains, and a sofa and an arm-chair of
plush made up the furniture of the apartment. In the arm-chair Father
Rondic took his seat to listen to the reading, while Clarisse sat in
her usual place at the window, idly looking out. Zénaïde profited by
her one day at home to mend the house-hold linen, disregarding the fact
of the day being Sunday. Among the books given to Jack by Dr. Rivals
was Dante’s _Inferno_. The book fascinated the child, for it described
a spectacle that he had constantly before his eyes. Those half naked
human forms, those flames, those deep ditches of molten metal, all
seemed to him one of the circles of which the poet wrote.
One Sunday he was reading to his usual audience from his favorite book;
Father Rondic was asleep, according to his ordinary custom, but the two
women listened with fixed attention. It was the episode of Francesca da
Rimini. Clarisse bowed her head and shuddered. Zénaïde frowned until
her heavy eyebrows met, and drove her needle through her work with mad
zeal.
Those grand sonorous lines filled the humble roof with music. Tears
stood in the eyes of Clarisse as she listened. Without noticing them,
Zenaïde spoke abruptly as the voice of the reader ceased.
“What a wicked, impudent woman,” she cried, “not only to relate her
crime, but to boast of it!”
“It is true that she was guilty,” said Clarisse, “but she was also very
unhappy.”
“Unhappy! Don’t say that, mamma; one would think that you pitied this
Francesca.”
“And why should I not, my child? She loved him before her marriage, and
she was driven to espouse a man whom she did not love.”
Public-domain text, read in full here on John Shaqi.
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