Child labor -- Fiction; French fiction -- Translations into English; Illegitimate children -- Fiction
D’Argenton forced a smile, which Charlotte endeavored to believe was
one of satisfaction. It must be acknowledged that he behaved very well,
and said at once that Jack must stay there until he was entirely
recovered. In fact, he could do no less for the actual proprietor of
his Review.
The first excitement over, the ordinary life of the poet and Charlotte
was resumed, changed only by the presence of the poor lame fellow,
whose legs were badly burned by the explosion of a boiler, and had not
yet healed. He was clothed in a jacket of blue cloth. His light
moustache, the color of ripe wheat, was struggling into sight through
the thick coating of tan that darkened his face; his eyes were red and
inflamed, for the lashes had been burned off; and in a state of apathy
painful to witness, the son of Ida de Barancy dragged himself from
chair to chair, to the irritation of D’Argenton and to the great shame
of his mother. When some stranger entered the house and cast an
astonished glance at this figure, which offered so strange a contrast
to the quiet, luxurious surroundings, she hastened to say, “It is my
son, he has been very ill,” in the same way that the mothers of
deformed children quickly mention the relationship, lest they should
surprise a smile or a compassionate look. But if she was pained in
seeing her darling in this state, and blushed at the vulgarity of his
manners or his awkwardness at the table, she was still more mortified
at the tone of contempt with which her husband’s friends spoke of her
son.
Jack saw little difference in the habitués of the house, save that they
were older, had less hair and fewer teeth; in every other respect they
were the same. They had attained no higher social position, and were
still without visible means of support.
They met every day to discuss the prospects of the Review, and twice
each week they all dined at D’Argenton’s table. Moronval generally
brought with him his two last pupils. One was a young Japanese prince
of an indefinite age, and who, robbed of his floating robes, seemed
very small and slender. With his little cane and hat, he looked like a
figure of yellow clay fallen from an étagère upon the Parisian
sidewalk. The other, with narrow slits of eyes and a black beard,
recalled certain vague remembrances to Jack, who at last recognized his
old friend Said who had offered him cigar ends on their first
interview.
Public-domain text, read in full here on John Shaqi.
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