Child labor -- Fiction; French fiction -- Translations into English; Illegitimate children -- Fiction
It was a summer morning. The pedler and his comrade were up before
daybreak. One was sweeping and dusting, with as little noise as
possible, careful not to disturb his companion, who was established at
the open window. The sky was the cloudless one of June, pale blue with
a faint tinge of rose still lingering in the east, that could be seen
between the chimneys. In front of Jack was a zinc roof, which, when the
sun was in mid-heaven, became a terrible mirror. At this moment it
reflected faintly the tints of the sky, so that the tall chimneys
looked like the masts of a vessel floating on a glittering sea. Below
was heard the noise from the poultry owned by the various inhabitants
of the Faubourg. Suddenly a cry was heard: “Madame Jacob! Madame
Mathieu! Here is your bread.”
It was four o’clock. The labors of the day had begun. The woman whose
daily business it was to supply that quarter with bread from the
baker’s had begun her rounds. Her basket was filled with loaves of all
sizes, sweet-smelling and warm. She carries them all through the
corridors, placing them at the corners of the various doors; her shrill
voice aroused the sleepers; doors opened and shut; childish voices
uttered cries of joy, and little bare feet pattered to meet the good
woman, and returned hugging a loaf as big as themselves, with that
peculiar gesture that you see in the poor people who come out of the
bake-shops, and which shows the thoughtful observer what that
hard-earned bread signifies to them.
All the world is now astir; windows are thrown open, even those where
the lamps have burned the greater part of the night. At one sits a
sad-faced woman, at a sewing-machine, aided by a little girl, who hands
her the several pieces of her work. At another a young girl, with hair
already neatly braided, is carefully cutting a slice of bread for her
slender breakfast, watching that no crumb shall fall on the floor she
swept at daybreak. Further on is a window shaded by a large red curtain
to keep off the reflection from the zinc roof. All these rooms open on
the other side into a dark and ugly house of enormous size. But the
student heeds nothing but his work. One sound only depresses him at
times, and that is the voice of an old woman, who says every morning,
before the noises of the street have begun, “How happy people ought to
be who can go to the country on a day like this!” To whom does the poor
woman utter these words, day after day? To the whole world, to herself,
or only to the canary, whose cage, covered with fresh leaves, she hangs
on the shutters? Perhaps she is talking to her flowers. Jack never
knew, but he is much of her opinion, and would gladly echo her words;
for his first waking thoughts turn toward a tranquil village street,
toward a little green door, Jack has just reached this point in his
reverie when a rustle of silk is heard, and the handle of his door
rattles.
“Turn to the right,” said Bélisaire, who was making the coffee.
Public-domain text, read in full here on John Shaqi.
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