“Why discouraged, dear mother? Are you not with me? You want some little amusement, I fancy. Let us dine out to-day,” he continued, with a tender, pitying smile. But Ida wished to make a toilet; to take out from her wardrobe some one of her pretty costumes of other days, too coquettish, too conspicuous for her present circumstances. To dress as modestly as possible, and walk through these poor streets, afforded her no amusement. In spite of her care to avoid anything noticeable in her costume, Jack always detected some eccentricity,—in the length of her skirts, which required a carriage, or in the cut of her corsage, or the trimming of her hat. Jack and his mother then went to dine at Bagnolet or Romainville, and dined drearily enough. They attempted some little conversation, but they found it almost impossible. Their lives had been so different that they really now had little in common. While Ida was disgusted with the coarse table-cloth spotted by wine, and polished, with a disgusted face, her plate and glass with her napkin, Jack hardly perceived this negligence of service, but was astonished at his mother’s ignorance and indifference upon many other points. She had certain phrases caught from D’Argenton, a peremptory tone in discussion, a didactic “I think so; I believe; I know.” She generally began and finished her arguments with some disdainful gesture that signified, “I am very good to take the trouble to talk to you.” Thanks to that miracle of assimilation by which, at the end of some years, husband and wife resemble each other, Jack was terrified to see an occasional look of D’Argenton on his mother’s face. On her lips was often to be detected the sarcastic smile that had been the bugbear of his boy-hood, and which he always dreaded to see in D’Argenton. Never had a sculptor found in his clay more docile material than the pretentious poet had discovered in this poor woman.