“Is it kind in you, my son, to recall such humiliations? Had M. D’Argenton treated me a thousand times worse than he has, I should be able, I hope, to recognize the fact that he stands at the head of the poets of France. More than one person who speaks of him with contempt to-day, will yet be proud of having known him and of having sat at his table!” And as she finished she left the room with great dignity. Jack took his seat at his desk, but his heart was not in his work. He felt that “the enemy,” as in his childish days he had called the vicomte, was gradually making his approaches. In fact Amaury d’Argenton was as unhappy apart from Charlotte as she was herself. Victim and executioner, indispensable to each other, he felt profoundly the emptiness of divided lives. From the first hour of their separation the poet had adopted a dramatic and Byronic tone as of a broken heart. He was seen in the restaurants at night, surrounded by a group of flatterers who talked of her; he wished to have every one know his misery and its details; he wished to have people think that he was drowning his sorrows in dissipation. When he said, “Waiter! bring me some pure absinthe,” it was that some one at the next table might whisper, “He is killing himself by inches—all for a woman!” D’Argenton succeeded simply in disordering his stomach and injuring his constitution. His “attacks” were more frequent, and Charlotte’s absence was extremely inconvenient. What other woman would ever have endured his perpetual complaints? Who would administer his powders and tisanes. He was afraid, too, to be alone, and made some one, Hirsch or another, sleep on a sofa in his room. The evenings were dreary because he was environed by disorder and dust, which all women, even that foolish Ida, contrive to get rid of in some way. Neither the fire nor the lamp would burn, and currents of air whistled under all the doors; and in the depths of his selfish nature D’Argenton sincerely regretted his companion, and became seriously unhappy. Then he decided to take a journey, but that did him no good, to judge from the melancholy tone of his letters to his friends. One idea tormented him, that the woman whom he so regretted was happy away from him, and in the society of her son. Moronval said, “Write a poem about it,” and D’Argenton went to work. Unfortunately, instead of being calmed by this composition, he was more excited than ever, and the separation became more and more intolerable. As soon as the Review appeared, Hirsch and Labassandre were bidden to carry a copy at once to the Rue des Panoyeaux.