Aunt Lucretia was my only comforter, and a stern, unflinching, rude
comforter she was. "Jack, _Colonel_ Ballington, actually wilted, a
weakling, ruined by matrimony and too much love, as I always said you’d
be, if you didn’t look out. Jack, you make me tired; born on this stock
farm, seeing my crop of colts and calves, my spring lambs, too, and
whatnots; the finest and most high-bred matrons of my paddock, bringing
in their first borns and not a fool doctor in ten miles to meddle with
them and Nature and her ways! And now Eloise, the gamiest, nerviest,
bravest thoroughbred of them all! You make me tired! Come, I want to
make a man of you."
She seized my arm and led me into the house. In the library she took
down her huge silver goblet, an international trophy won in France, her
prize for the best merino wool, and then she led me down into the
cellar.
I had never been in it but once before. It was cool and damp, its
sleepers lined with cobwebs. She lit a lantern and led me into the
farthest, darkest, cobwebbiest corner. She stood before a small
ten-gallon cask, and said with some show of grim humor, "Jack, it was
fifteen years ago to-day—Did you know this was an anniversary? Well,
fifteen years ago to-day I brought Eloise here, adopted her and gave her
to you; and that day I told my old friend, Jack Daniel, to send me this
ten-gallon cask of pure whiskey, to be put away, and to get good and
mellow for just what I knew would one day happen—the first colt! And
now we are going to tap it in his honor!"
"_His_ honor, Aunt Lucretia?" I said shamedly. "I had set my heart on
her being a—a—why, we are going to name her Lucretia," I added timidly
and with some confusion.
"Jack, you were always a fool; a bigger one since you married, just as I
knew you’d be, all of ’em are. Why, of course he’ll be a good lusty
chap; and I have already named him _Andrew Jackson_, and that’s what
he’ll be, name and all. I am going to give his daddy a drink; he needs
it, weak-kneeing around here like an old run-down selling-plater in the
home stretch."
In the dining-room she took down a cut-glass goblet and pottered around
in the side-board till she had found her old-time loaf sugar. This she
broke into bits, and, putting a piece in the goblet, she held it up to
the light and eyed me queerly.
I knew Aunt Lucretia, and that this ceremony was her way of playing for
time and a kindly way of diverting my mind from Eloise.
"Very few people, Jack," she went on, "know how to make a toddy. Now
you pour a little water over this sugar and let it melt; if you crush it
with the spoon it spoils the whole thing, and then pour the whiskey in
slowly, stirring it all the time. The nutmeg; ah—"
Public-domain text, read in full here on John Shaqi.
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