I shall never forget the well-deserved rebuke I once received from a sturdy old tar for an ill-timed comment on a woman's personal appearance. It was in St. Salvador. The captain of a Portuguese ship was going on shore accompanied by his wife. The boat crossed the bows of the ship I was in; the feminine garments attracted the attention of all hands, who suspended their work and gazed upon the charming object as if they beheld something more than mortal. As the boat passed onward, and we resumed labors which the glimpse of a petticoat had interrupted, with a want of gallantry which I trust is foreign to my character, for which I cannot even now account, and of which I was afterwards heartily ashamed, I casually remarked, "Well, there's nothing wonderful about her, after all; she's HOMELY enough, in all conscience!" "Hawser," said my old shipmate, in a solemn and impressive manner, gracefully waving the marlinspike which he held in his hand, "THERE IS NO SUCH THING IN NATER AS A HOMELY WOMAN!" "Saturday Night" in olden times was not only devoted to reminiscences of home and affectionate associations, but was also the time selected for indulgence in the songs of the forecastle. After the usual toast, "Sweethearts and Wives," had been drunk with enthusiasm, some one of the crew was called on for a song, and the call was responded to without affected reluctance; and the beams, carlines, and bulkheads of the old forecastle rang again with stirring songs or ballads poured forth from manly and musical throats, in praise of beauty, descriptive of life at sea, recording deeds of heroism, or inculcating lessons of patriotism. To these songs of the forecastle, sung on the land as well as on the ocean, in beauty's bower as well as in the sailor's sanctuary or the stifled cabin, in days when accompaniments to vocal music were not considered necessary, when the full melodious sound of the human voice, THE NOBLEST MUSIC IN THE WORLD, was not strangled, drowned, or travestied by the noise of the everlasting piano, played with artistic skill to these spirit-stirring songs of the forecastle was commerce indebted for many of the finest and best sailors ever sprinkled with salt water. The well known songs of "the Bay of Biscay," "Black Eyed Susan," and "Cease, Rude Boreas," once listened to with emotion and delight at the cottage fireside, or the fashionable drawing room, and the many songs long since forgotten of a similar character, written by salt water poets, and sung by mariners at home and abroad, have transformed enthusiastic and adventurous landsmen into sailors by scores, as by the touch of an enchanter's wand. Dibdin did more to man the "wooden walls of old England" with brave and effective men than all the press-gangs that ever infested the banks of the Thames.