The chief scene of these disgusting orgies,--the cellar, just referred to,--was a large low-roofed vault, about four feet below the level of the street, perfectly dark, unless when illumined by a roaring fire, and candles stuck in pyramidal lumps of clay, with a range of butts and barrels at one end, and benches and tables at the other, where the prisoners, debtors, and malefactors male and female, assembled as long as their money lasted, and consumed the time in drinking, smoking, and gaming with cards and dice. Above was a spacious hall, connected with it by a flight of stone steps, at the further end of which stood an immense grated door, called in the slang of the place “The Jigger,” through the bars of which the felons in the upper wards were allowed to converse with their friends, or if they wished to enter the room, or join the revellers below, they were at liberty to do so, on payment of a small fine. Thus, the same system of plunder was everywhere carried on. The jailers robbed the prisoners: the prisoners robbed one another. Two large wards were situated in the Gate; one of which, the Stone Ward, appropriated to the master debtors, looked towards Holborn; the other called the Stone Hall, from a huge stone standing in the middle of it, upon which the irons of criminals under sentence of death were knocked off previously to their being taken to the place of execution, faced Newgate Street. Here the prisoners took exercise; and a quaint, but striking picture has been left of their appearance when so engaged, by the author of the English Rogue. “At my first being acquainted with the place,” says this writer, in the 'Miseries of a Prison,' “the prisoners, methought, walking up and down the Stone Hall, looked like so many wrecks upon the sea. Here the ribs of a thousand pounds beating against the Needles--those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money,” A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the “Delectable History of Whittington's College,” that “When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.”