England -- Fiction; Experimental fiction; Psychological fiction; World War, 1914-1918 -- England -- Fiction; Young men -- Fiction
Then, making sure that the Frenchwomen had gone, and looking cautiously
round him, Jacob strolled over to the Erechtheum and looked rather
furtively at the goddess on the left-hand side holding the roof on her
head. She reminded him of Sandra Wentworth Williams. He looked at her,
then looked away. He looked at her, then looked away. He was
extraordinarily moved, and with the battered Greek nose in his head,
with Sandra in his head, with all sorts of things in his head, off he
started to walk right up to the top of Mount Hymettus, alone, in the
heat.
That very afternoon Bonamy went expressly to talk about Jacob to tea
with Clara Durrant in the square behind Sloane Street where, on hot
spring days, there are striped blinds over the front windows, single
horses pawing the macadam outside the doors, and elderly gentlemen in
yellow waistcoats ringing bells and stepping in very politely when the
maid demurely replies that Mrs. Durrant is at home.
Bonamy sat with Clara in the sunny front room with the barrel organ
piping sweetly outside; the water-cart going slowly along spraying the
pavement; the carriages jingling, and all the silver and chintz, brown
and blue rugs and vases filled with green boughs, striped with trembling
yellow bars.
The insipidity of what was said needs no illustration--Bonamy kept on
gently returning quiet answers and accumulating amazement at an
existence squeezed and emasculated within a white satin shoe (Mrs.
Durrant meanwhile enunciating strident politics with Sir Somebody in the
back room) until the virginity of Clara's soul appeared to him candid;
the depths unknown; and he would have brought out Jacob's name had he
not begun to feel positively certain that Clara loved him--and could do
nothing whatever.
"Nothing whatever!" he exclaimed, as the door shut, and, for a man of
his temperament, got a very queer feeling, as he walked through the
park, of carriages irresistibly driven; of flower beds uncompromisingly
geometrical; of force rushing round geometrical patterns in the most
senseless way in the world. "Was Clara," he thought, pausing to watch
the boys bathing in the Serpentine, "the silent woman?--would Jacob
marry her?"
But in Athens in the sunshine, in Athens, where it is almost impossible
to get afternoon tea, and elderly gentlemen who talk politics talk them
all the other way round, in Athens sat Sandra Wentworth Williams,
veiled, in white, her legs stretched in front of her, one elbow on the
arm of the bamboo chair, blue clouds wavering and drifting from her
cigarette.
Public-domain text, read in full here on John Shaqi.
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