England -- Fiction; Experimental fiction; Psychological fiction; World War, 1914-1918 -- England -- Fiction; Young men -- Fiction
But colour returns; runs up the stalks of the grass; blows out into
tulips and crocuses; solidly stripes the tree trunks; and fills the
gauze of the air and the grasses and pools.
The Bank of England emerges; and the Monument with its bristling head of
golden hair; the dray horses crossing London Bridge show grey and
strawberry and iron-coloured. There is a whir of wings as the suburban
trains rush into the terminus. And the light mounts over the faces of
all the tall blind houses, slides through a chink and paints the
lustrous bellying crimson curtains; the green wine-glasses; the
coffee-cups; and the chairs standing askew.
Sunlight strikes in upon shaving-glasses; and gleaming brass cans; upon
all the jolly trappings of the day; the bright, inquisitive, armoured,
resplendent, summer's day, which has long since vanquished chaos; which
has dried the melancholy mediaeval mists; drained the swamp and stood
glass and stone upon it; and equipped our brains and bodies with such an
armoury of weapons that merely to see the flash and thrust of limbs
engaged in the conduct of daily life is better than the old pageant of
armies drawn out in battle array upon the plain.
CHAPTER THIRTEEN
"The Height of the season," said Bonamy.
The sun had already blistered the paint on the backs of the green chairs
in Hyde Park; peeled the bark off the plane trees; and turned the earth
to powder and to smooth yellow pebbles. Hyde Park was circled,
incessantly, by turning wheels.
"The height of the season," said Bonamy sarcastically.
He was sarcastic because of Clara Durrant; because Jacob had come back
from Greece very brown and lean, with his pockets full of Greek notes,
which he pulled out when the chair man came for pence; because Jacob was
silent.
"He has not said a word to show that he is glad to see me," thought
Bonamy bitterly.
The motor cars passed incessantly over the bridge of the Serpentine; the
upper classes walked upright, or bent themselves gracefully over the
palings; the lower classes lay with their knees cocked up, flat on their
backs; the sheep grazed on pointed wooden legs; small children ran down
the sloping grass, stretched their arms, and fell.
"Very urbane," Jacob brought out.
"Urbane" on the lips of Jacob had mysteriously all the shapeliness of a
character which Bonamy thought daily more sublime, devastating, terrific
than ever, though he was still, and perhaps would be for ever, barbaric,
obscure.
What superlatives! What adjectives! How acquit Bonamy of sentimentality
of the grossest sort; of being tossed like a cork on the waves; of
having no steady insight into character; of being unsupported by reason,
and of drawing no comfort whatever from the works of the classics?
"The height of civilization," said Jacob.
He was fond of using Latin words.
Public-domain text, read in full here on John Shaqi.
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